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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Just Get It!!!!!!!!, 7 Jan 2005
The second DVD release of Cecil B. DeMille's 1956 landmark film THE TEN COMMANDMENTS -- Special Collector's Edition (Paramount) has all the extras you expected from the first. Charlton Heston hears God's voice and obeys bringing law and light and freedom to slaves. Elmer Bernstein's terrific score, great production design, still nifty effects, a six-part production documentary and a highly detailed commentary make this one for the library.I was hesitant to review this dvd since, in every credible theologian's view, a fundamentalist approach to the Bible, ignorant of ancient and medieval civilizations and their languages, leads to erroneous interpretations (for example, errors that today are being used to justify discrimination against gays and lesbians and their families, and which, until rather recently, were used to condone racism, segregation and slavery.) But I believe DeMille, The Ten Commandments' producer and director, and the son of a lay Episcopal minister, believed the Bible is the inerrant word of God AND that a historical-critical approach is necessary to understand it (as most mainline churches do, in spite of their often inconsistent stance on gay marriage). The fact that in The Ten Commandments, the Red Sea, not a 'sea of reeds' (a correct translation), parts, is perhaps an example of artistic license. In a sense, The Ten Commandments is DeMille's Biblical commentary. It's a swan song (DeMille nearly died making it), and a real labour of love (DeMille gave away all of his profits to the cast and crew). Perhaps first and foremost, The Ten Commandments is great propaganda for democracy (albeit from the Cold War era). Through it DeMille sought to help unite Jews, Christians and Muslims. It argues that all persons are equal and should be 'free', regardless of 'race', ethnicity or 'creed'. It even alludes to the fact that according to the Bible, Moses married an Ethiopian princess (a somewhat daring reference during the segregated '50s). STYLE & INFLUENCE: It's arguably one of the most spectacular, entertaining and influential films ever made. At Lucasfilm, a poster for it has hung on the wall for many years, and one can easily see the movie's influence not only on Biblical films of the '50s and '60s, but also the Star Wars movies, Close Encounters of the Third Kind, Raiders of the Lost Arc and numerous other science fiction and fantasy films. Director Michael Powell considered DeMille the greatest magician in film history. Perhaps the most under-rated aspect of The Ten Commandments is its production design: a marvelous hybrid of art deco and nineteenth century and ancient Egyptian art. Viewing The Ten Commandments is a bit like stepping into a painting by Alma-Tadema or a Pre-Raphaelite, or a book illustration by Dorè, and having the artwork come to life. The score, by Elmer Bernstein, is extraordinary. It's part of the very essence of the film, and uses leitmotiv beautifully. TRANSFER: It's excellent, and the next best thing to seeing the movie on a big screen. The colours are very rich and vibrant, and the sound, originally recorded with cutting edge stereo equipment, is nicely remastered and restored. EXTRAS: I'm SO glad I ordered the most recent dvd release (2004), containing a commentary by Katherine Orrison and a six-part documentary about the 'making of'. Both are extremely informative and entertaining. The latter features interviews with surviving cast and crew, as well as DeMille's granddaughter. Five stars for the film, five for the transfer, and five for the commentary and documentary!
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1 of 2 people found the following review helpful:
4.0 out of 5 stars
Pompous and Wonderful, 29 May 2005
When I first saw this film many years ago, I thought C. B. DeMille had actually stepped out from behind the cinema curtains. Ah! Those naive long ago days. The plus points: beautiful skies, special effects that would not be equalled until CGI, stirring music from Elmer Bernstein, and a good storyline. The minus points: the sheer overblown portentousness of it, the whiff of cold war politics, and those hairdos of Chuck. Although CB prefers tableau and rhetorical acting, Yul Brynner and Sir Cedric Hardwicke do more than mere emoting. The women are less fortunate, rarely rising above average, and their costumes and manners are pure 1950's. The big problem and, what I'm afraid induces more than a titter, is Charlton Heston. Fine as an Egyptian soldier, as soon as he has been in the presence of God, he doesn't appear so much as 'otherworldly' but rather, in his acting and bodily movement, as a chronically constipated old grouch. Still his voice is appropriately resonant. For all its faults, however, The Ten Commandments is still an amazing spectacle, and despite running for over 3.5 hours there are only a few longeurs, and at just over a fiver it is more than a bargain.
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4.0 out of 5 stars
"The greatest adventure story ever put between the covers of a book!", 25 Jul 2008
Sitting in his office, with the aid of a wicker basket, a Van Dyke portrait, two stone tablets and a Bible he occasionally bashes, De Mille pitches "the greatest adventure story ever put between the covers of a book!" in the legendary ten-minute trailer included among the fine extras on this 2004 special edition. He solemnly assures us that Heston was cast for his resemblance to Michelangelo's statue of Moses and to prove it, he even shows us a photograph of the actor standing next to it (they look nothing alike!). One of McCarthy's staunchest Hollywood allies in the fifties anti-communist witch-hunts, he goes on to draw none-too-subtle comparisons between the tyranny of Pharaoh and the un-named forces of dictatorship that threaten us 'even to this very day', then promptly switches to plugging the sex and spectacle with the kind of wanton abandon that only the highest-minded puritans can muster; "Moses is one of the world's greatest human beings - and human he was to the point of SIN! And holy to the point of seeing God." Ever the showman, he even pops out from behind the curtains just before the film itself starts to give us the same spiel in case we missed the point and inform us that "The picture runs three hours and thirty-nine minutes; there will be an intermission."
After such a relentless barrage of hyperbole, disappointment would seem inevitable, but unlike most of De Mille's films, The Ten Commandments stands up remarkably well. Filling in the gaps in the Bible's version of events with lust, treachery and other soap opera staples, it is the complete antithesis of the `think man's epics' that followed in the Sixties. The dialogue is declamatory, the style overtly theatrical, often recoursing to striking tableaux reminiscent of the Biblical pageants of Victorian era. The performances are painted in broad strokes, with Anne Baxter emoting something rotten and Heston, his hair getting whiter every time he has a chin-wag with God, a square-jawed and solemn All-American Deliverer. Even John P. Fulton's Oscar-winning special effects show their age as well as their matte lines. It would be almost absurdly easy to tear it to pieces were it not for the fact that De Mille's implicit belief in what he put on the screen enables him to carry it off with considerable panache. This is an audience picture on a grand scale, and great fun too.
The colour is almost as superb as the original VistaVision Technicolor, the print near perfect. More hokum than holy it may be, but with a terrific cast and, even now, a genuine sense of wonder to its set-pieces, The Ten Commandments delivers nearly four hours of great entertainment. And the parting of the Red Sea is still one of the great movie moments, matte lines or not.
The only thing stopping this DVD from being a true collectors delight is the absence of De Mille's original and very different silent version - for that you need to seek out the 2006 50th anniversary edition.
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