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Product Description
Amazon.co.uk Review
Listening to Colour the Small One seems almost rude, as though you've just crept into someone's bedroom unannounced and read their diary, or even eavesdropped into a private conversation. A lot of this is down to Sia's voice; a soft, intimate, languorous affair that has the unsettling effect of being simultaneously sad and seductive. A couple of years on from her R&B-tinged debut and those classic pairings with Zero 7, the Australian vocalist has come a long way. The music here consists of basic frameworks of rhythm, enhanced by subtle percussion, folky harmonica and nothing more obtrusive than that secretive, melancholic voice. There's certainly room to breathe and Sia unfolds at her own leisurely pace. Opener "Rewrite" works the sad verse/sunny chorus formula to perfection, while "Sunday" turns "Strawberry Fields" harmonium into big orchestral trip-hop. "Sweet Potato" sours the flow, sounding contrived and too like Nelly Furtado for its own good, but "Bully", a collaboration with Beck Hansen, has a sweet melody that belies its subject matter. As cries for help go, this is up there with the best. --Paul Tierney
Description
On her first internationally released album, COLOUR THE SMALL ONE, Australian singer Sia Furler presents a graceful andassured set that is rooted in chilled-out electronica. Thismay come as no surprise to fans of Sia's work with Zero 7, though instead of attempting to re-create that group's lounge/jazz sound, she opts for a gentle, folk-tinged vibe, even enlisting Beck for a writing assist on "The Bully", a breezy, though slightly ominous, track.
The real standout of COLOUR, however, is "Breathe Me", a gorgeously spare, soulful tune that was prominently featured in the final season of the lauded TV series SIX FEET UNDER. Exuding an invitingly dreamy atmosphere, Sia's record is sure to garner a coveted spot in caf rotation alongside Beth Orton, Bjork, and other like-minded artists. (Note: The U.S. version includes four bonus tracks, including remixes of "Breathe Me" by Four Tet and Ulrich Schnauss.)
Listening to Colour the Small One seems almost rude, as though you've just crept into someone's bedroom unannounced and read their diary, or even eavesdropped into a private conversation. A lot of this is down to Sia's voice; a soft, intimate, languorous affair that has the unsettling effect of being simultaneously sad and seductive. A couple of years on from her R&B-tinged debut and those classic pairings with Zero 7, the Australian vocalist has come a long way. The music here consists of basic frameworks of rhythm, enhanced by subtle percussion, folky harmonica and nothing more obtrusive than that secretive, melancholic voice. There's certainly room to breathe and Sia unfolds at her own leisurely pace. Opener "Rewrite" works the sad verse/sunny chorus formula to perfection, while "Sunday" turns "Strawberry Fields" harmonium into big orchestral trip-hop. "Sweet Potato" sours the flow, sounding contrived and too like Nelly Furtado for its own good, but "Bully", a collaboration with Beck Hansen, has a sweet melody that belies its subject matter. As cries for help go, this is up there with the best. --Paul Tierney
Description
On her first internationally released album, COLOUR THE SMALL ONE, Australian singer Sia Furler presents a graceful andassured set that is rooted in chilled-out electronica. Thismay come as no surprise to fans of Sia's work with Zero 7, though instead of attempting to re-create that group's lounge/jazz sound, she opts for a gentle, folk-tinged vibe, even enlisting Beck for a writing assist on "The Bully", a breezy, though slightly ominous, track.
The real standout of COLOUR, however, is "Breathe Me", a gorgeously spare, soulful tune that was prominently featured in the final season of the lauded TV series SIX FEET UNDER. Exuding an invitingly dreamy atmosphere, Sia's record is sure to garner a coveted spot in caf rotation alongside Beth Orton, Bjork, and other like-minded artists. (Note: The U.S. version includes four bonus tracks, including remixes of "Breathe Me" by Four Tet and Ulrich Schnauss.)
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