Album Description
Nouvelle Vague is a French electronica project initialised by multi-instrumentalists and producers Marc Collin and Olivier Libaux. Marc first came to recognition with his band Ollano, known for their Francophone trip-hop / jazz-fusion and his movie soundtracks such as "the kidnapper's theme". He soon moved into the realm of club music, initially recording for the UK's own Paper Recordings and progressing into a more creative and eclectic producer under the guises Avril on FCom, and Volga Select on Output Records. Olivier Libaux has been involved with many French pop acts during the nineties and started working with Marc in 1998.
Nouvelle Vague which translates to "new wave" in English, and bossa nova in Portuguese, revisits a number of both Marc and Olivier's favourite tracks from the early eighties, taking in bands such as The Clash, Joy Division, and the Cure in a stunning combination of bossa nova, jazz and sixties pop.
Description
At a time when seemingly every band with access to an analog synthesizer and a tube of hair gel was aping the New Wave sounds of the early 1980s, NOUVELLE VAGUE put a unique spin on the phenomenon. Their self-titled album is full of coversof classic tunes by the Cure, Modern English, Depeche Mode,et al. The striking twist, however, lies in the fact that all the songs are performed in old-school bossa nova mode, the lyrics delivered in a vintage Astrud Gilberto style. The cooing, breathy vocals and gentle acoustic guitar rhythms successfully transmogrify not only the pop-friendly confectionsof the aforementioned ensembles, but some edgier material as well. One hasn't truly lived until one has heard the Dead Kennedys' "Too Drunk to F----" and the Undertones' "Teenage Kicks" sounding like outtakes from the GETZ/GILBERTO album. NOUVELLE VAGUE successfully reinvents its source material without descending into mere schtick.