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Amazon.co.uk Review
A crisp retelling of a true-life episode from the Civil War, The Horse Soldiers is a latter-day sorta-Western from John Ford, falling midway between The Searchers (1956) and The Man Who Shot Liberty Valance (1962). In 1863 a Union colonel named Grierson (Marlowe in the film, and John Wayne by any name) led his cavalry several hundred miles behind Confederate lines to cut the railway track between Newton Station and soon-to-be-embattled Vicksburg. Grierson's raid was as successful as it was daring, and remarkably bloodless. Never fear that the screenplay makes up for that un-Hollywood lapse--as well as supplying amatory distraction for the colonel in the form of a feisty Southern belle (Constance Towers) who has to be dragged along to protect secrecy.

There's a certain amount of bombast in the running arguments about wartime ethics between Marlowe and the new regimental surgeon (William Holden), who don't take to each other at all. But Ford more than makes up for it with such tasty scenes as an encounter with a couple of redneck Rebel deserters (Denver Pyle and Strother Martin), an ethereal swamp crossing led by a cornpone deacon (Hank Worden), and above all the famous skirmish with a hillside full of young cadets from a venerable military academy. The film ends rather abruptly because Ford abandoned a climactic battle scene--the veteran stunt man and bit player Fred Kennedy having been killed in a horse-fall. Golden-age cowboy star Hoot Gibson, who acted in Ford's directorial debut, Straight Shooting (1917), appears as Sergeant Brown. --Richard T. Jameson, Amazon.com

Synopsis
THE HORSE SOLDIERS, John Ford's only attempt at tackling the subject of the Civil War, is based on Grierson's Raid, part of the Union's assault on Vicksburg in April 1863. After a number of failed efforts at taking the Southern stronghold, Union leaders assign Col. John Marlowe (John Wayne), a railroad designer in civilian life, to lead a cavalry detachment to destroy a vital railroad hub at Newton Station, far behind Confederate lines. Marlowe's unit includes Major Kendall (William Holden), a cynical physician disgusted by the notion that there's glory in the carnage, and the politically ambitious Colonel Secord (Willis Bouchey). Marlowe temporarily appropriates the plantation of Southerner Hannah Hunter (Constance Towers) while in transit and is forced to take her along, in lieu of killing her, after she overhears his plans for Newton Station. As their journey continues, Marlowe realises that he is much more interested in Hannah than in her political sympathies. Wayne and Holden give gritty, soulful performances, and William Clothier's photography is outstanding in a film that delves beneath simplistic notions of heroism to reveal something more complicated, grisly, and real.

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