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The Entertainer [DVD] [1960]
 
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The Entertainer [DVD] [1960]

DVD ~ Laurence Olivier
4.8 out of 5 stars  See all reviews (4 customer reviews)
RRP: £12.99
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Customers buy this item with The Dresser [DVD] [1984] DVD ~ Albert Finney

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  • This item: The Entertainer [DVD] [1960] DVD ~ Laurence Olivier

    In stock.
    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions

  • The Dresser [DVD] [1984] DVD ~ Albert Finney

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Product details

  • Actors: Laurence Olivier, Brenda De Banzie, Roger Livesey, Joan Plowright, Alan Bates
  • Directors: Tony Richardson
  • Writers: John Osborne, Nigel Kneale
  • Producers: Harry Saltzman, John Croydon
  • Format: Black & White, PAL
  • Language English
  • Subtitles: Dutch, Finnish, Swedish
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Classification: PG
  • Studio: MGM Entertainment
  • DVD Release Date: 1 Mar 2004
  • Run Time: 99 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • ASIN: B00015N574
  • Amazon.co.uk Sales Rank: 7,751 in DVD (See Bestsellers in DVD)

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Reviews

Amazon.c.uk Review

The Entertainer of the title is Archie Rice, a mediocre music hall artist upholding a dying tradition in an English seaside against a background of the 1956 Suez Crisis. Laurence Olivier stars and is supported by a superb cast including a young Alan Bates as his son, Roger Livesey as his kindly, now retired, always more talented and popular father, and Joan Plowright as his daughter (who, ironically given the story, married Olivier the following year). Albert Finney makes his screen debut in a tiny role and the remarkable cast also features Daniel Massey, Shirley Anne Field, Thora Hird and Charles Gray. Archie himself is a hollow man who brings pain to all around him, and while Olivier's brilliant performance reveals the layers of cynicism which disguise the emptiness inside, the emotional resonance lies with those forced to endure Rice's manipulations, adulteries and deceits.

On stage John Osborne's play proved to be a signature part for Olivier, and director Tony Richardson--who filmed Osborne's equally sour Look Back In Anger (1958)--handles the material with unvarnished realism. Unfolding like a dark variation on Chaplin's Limelight (1952), the film equally casts a shadow over the less stellar Tony Hancock vehicle The Punch and Judy Man (1963), ultimately working as both family tragedy and allegory for a declining post-war England. Surprisingly an American 1976 TV movie remake starring Jack Lemmon held its own against this minor British classic.

On the DVD: The Entertainer is presented letterboxed at 1.66:1, and sourced from an excellent print preserves the look of the original black and white cinematography very well. Even so a little material is clipped from either side of the image, though this is most notable on the left of the picture. The mono sound is very good. There are no features other than optional subtitles, including English for those hard of hearing. --Gary S Dalkin

Synopsis

Laurence Olivier shocked audiences accustomed to seeing him in Shakespeare or period romances when he joined forces with the two defining figures of Britain's New Wave kitchen-sink realism, director Tony Richardson and playwright John Osborne, by starring as third-rate seaside comedian Archie Rice in the latter's lacerating play. The arrogant, hypocritical, and lecherous performer is playing out the remainder of his days leading a revue at a moribund seaside resort. In the pathetic quality of his singing, acting, and humour, the declining Archie is clearly intended by its author as a symbol of post-WWII England. Yet he still has enough energy to make life as miserable for his family as it is for him. He cajoles his son, Frank (Alan Bates), into volunteering to fight in Suez, against his will; gets money from his dying father to fund his next show; and cheats on his alcoholic wife, Phoebe (Brenda de Banzie), with beauty contest winner Tina Lapford (Shirley Anne Field). When his daughter arrives unexpectedly, Archie is forced to face the fabric of deceit he has created to survive. Olivier leads a stellar cast in this still-unsettling film, playing the repellent Archie with memorable intensity.

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Customer Reviews

4 Reviews
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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10 of 10 people found the following review helpful:
5.0 out of 5 stars laurence olivier gem, 14 April 2006
By F. P. Samuelson "fsgold" (devon,england) - See all my reviews
(REAL NAME)   
what a great film! from start to finish the power of the story within never fails to deliver.An excellent cast and a story of a man seemingly hellbent on self destruction as he battles with the demons of self delusion and the end of the vaudevillian actor. On stage as Archie Rice, Laurence Olivier delivers sadness and cynicim with one breath. He is determined to elude the Inland Revenue,engage in affairs with teenage wannabees, and even persuade his old father to appear on stage with him.His marriage is on the rocks and his daughter seems resigned to father's illusions. It travels a rocky path, and provides a fascinating insight into the world of early 1960's seaside theatre.It is one of Olivier's masterpieces and was one of his personal favourites. Watch it and enjoy the journey from illusion to ruin.
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7 of 8 people found the following review helpful:
4.0 out of 5 stars John Osborne, Lawrence Olivier, Tony Richardson, 16 July 2007
By C. O. DeRiemer (San Antonio, Texas, USA) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
"Why should I care,
Why should I let it touch me?
Why shouldn't I sit down and try to let it pass over me.
Why should they stare, why should I let it get me...
What's the use of despair if they call you a square?
You're a long time dead like my old pal Fred
So why oh why should I
Bother to care?"

Archie Rice sings this depressing and cynical second-rate song as part of his depressingly bad music hall routine in The Entertainer, a depressing but skillfully acted movie. Archie Rice (Lawrence Olivier) is a third-rate, aging vaudeville entertainer, headlining his own show in the run-down English seaside resort of Morecomb. He's just about at the end of his string, playing to half-empty, bored audiences, running up debt, and desperate to stay in the business. He has a wife, Phoebe (Brenda De Banzie) who loves him and drinks too much, a daughter, Jean (Joan Plowright), who also loves him but has no illusions about him, two sons, Mick (Albert Finney), who joined the Army and is being shipped off to Suez, and Frank (Alan Bates), who works for his father in the music hall, and his own father, Billy Rice (Roger Livesey), once a headliner but now aging and retired. In the course of the movie Archie one way or another uses them, fails them or both.

The Entertainer is grim stuff. It's redeemed, I think, by two elements. First, it represents the reaction in the Fifties by British playwrights such as John Osborne to the polished, upper-class and unrealistic theater in Britain following WWII. Playwrights such as Christopher Fry and Terrence Rattigan produced hugely popular works that many thought were out of touch with reality. Then Osborne and others came along with what critics called the kitchen sink school...slices of working life, puncturing British pretensions of class and power. Watched in this context, the movie brings a lot to the table.

The second element is the acting. Olivier was the epitome of polished British theater. When he agreed to play The Entertainer on stage he instantly legitimized the style and he thoroughly revamped his own reputation. Archie Rice is a third-rate singer, dancer and comedian. "Well, you're a lovely lot tonight," he says during his act, "a lovely lot tonight. I've played in front of them all, you know...The Queen, The Duke of Edinburgh, The Prince of Wales...and, oh, what's the name of that other pub?" Privately, he confesses to his daughter that "I never solved a problem in my life." Olivier, who could sing and dance very well when needed, is awful and perfect. In a rare moment of honesty, Rice points out to his daughter that he is dead behind his eyes. Olivier captures that flat moment. He also has a whole troupe of excellent actors backing him up, from such experienced hands as Roger Livesey and Brenda De Banzie, to two actors making their screen debuts, Alan Bates and Albert Finney. Joan Plowright, like Olivier reprising her stage role, is excellent as his daughter...loving him and pitying him probably too much.

As something of an historical artifact of British drama and as a source of pleasure in watching skilled actors earn their money, I think The Entertainer is well worth viewing. For many of us, it's worth purchasing.

There are no extras. The DVD picture looks just fine.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Great, somewhat neglected film, a symbol of England's decline, 10 Aug 2008
By Andres C. Salama (Buenos Aires, Argentina) - See all my reviews
(REAL NAME)   
Laurence Olivier stars as a sleazy, third-rate music hall performer in 1960's "The Entertainer", one of the first and best films of the so called Free Cinema movement, and a movie that is somewhat neglected today (it should be better known). Based on a play by John Osborne, Olivier plays Archie Rice, a mediocre performer in grim seaside town theaters. His shows attract few people (early in the film, we see passersby sneering at the theater marquee that falsely advertises Archie as a television comedian). His father, Billy, was once a talented and successful comedian, but now he is just a cranky old man living with him and Archie's wife, the unstable Phoebe. Archie has three grown children, played respectively by Alan Bates, Albert Finney and Joan Plowright, all very early in their careers. Jean (Plowright, who would become Olivier's wife soon after this film) comes to home from London and sees her family unraveling: one of her brothers have been sent to Suez, her stepmother is becoming more and more unstable, Archie is hounded by his creditors while he imprudently starts a romance with a beauty contestant, with the hope of obtaining financing for his shows from her rich parents. Archie's life goes downhill from here, so the film is quite bleak, but it is very well done (and especially, performed). Some critics see Archie as a metaphor of postwar England, and this may indeed have been Osborne's intention, but the film plays better as a character study of a very flawed man.
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5.0 out of 5 stars Archie Rice: [to unresponsive audience] Don't clap too loudly, it's a very old building.
Archie Rice: [to unresponsive audience] Don't clap too loudly, it's a very old building.


I had been looking forward to seeing the Entertainer for a long time... Read more
Published 18 days ago by Peter Wade

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