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The Fog of War
 
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The Fog of War [Soundtrack] [Import]

~ Philip Glass
4.5 out of 5 stars  See all reviews (2 customer reviews)
Price: £16.09 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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  • This item: The Fog of War ~ Philip Glass

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Product details

  • Conductor: Michael Riesman
  • Composer: Philip Glass, John Kusiak
  • Audio CD (26 Jan 2004)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Soundtrack, Import
  • Label: Orange Mountain
  • ASIN: B0000EWQ0S
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 83,955 in Music (See Bestsellers in Music)

1. 100000 People
2. Target Destruction
3. Revolution In The Pentagon
4. Low Evil
5. Blind Moles
6. Behind The Moon
7. November 1 1967
8. IBM Punch Cards
9. War To End All Wars
10. Statistical Control
11. New Weapon
12. Damned If I Don't
13. Family
14. Chengtu
15. Dominoes
16. 67 Cities
17. Rolling Thunder
18. Invitation
19. Success
20. Data
See all 34 tracks on this disc

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vietnam war
philip glass
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film music
documentary
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Customer Reviews

2 Reviews
5 star:
 (1)
4 star:
 (1)
3 star:    (0)
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
4 of 4 people found the following review helpful:
5.0 out of 5 stars Glass as Glass should be, 19 Nov 2003
By P. Beelen (Eindhoven, Netherlands (Europe)) - See all my reviews
(REAL NAME)   
An interesting movie deserves an interesting soundtrack. And Philip Glass has succeeded in composing one.

The music has all the characteristics of the typical Glass music. Though for some people this might be a reason not to listen, it should be said that this cd is proof of Glass' mastership.

Perhaps this is due to the fact that the cd contains 34 tracks. With a playing time of some 73 minutes, this results in relatively short tracks (3:34 minutes for the longest, average time per track around 2 minutes). It apparently forces Glass to be precise in what he wants to convey through his music: he clearly focuses on the theme he has in mind, and therefore the music isn't too elaborate. The ongoing variation and repetition sometimes can get on your nerves (and believe me: even as a big fan of his music I now and then have too much of it). But this one has a certain freshness, which can't be said of some of the latest recordings of more recent compositions that have become available.

Though it's difficult to choose which tracks I like best (so many to choose from...), I'd say I prefer the first one ('100.000 people'). To me it seems to be a new kind of Glass music - I'd like him to compose some more of that kind. It has a certain hauting quality, and for me personally it could last a lot longer than it does. Well, never mind, we still have the 'repeat-button'...

Not having seen the movie 'The Fog of War', I can't comment on the relationship between this music and the accompanying image. But this cd certainly makes a strong impression on its own. It rates high in my personal Glass top 10. So I don't hesitate to recommend it to long time fans. And for those who haven't had the fortune to know Glass-music yet: this cd is a very good introduction to it!

See also on the Orange Mountain Music site for Glass' witty remark when told that the music on this cd wasn't repetitive enough!

Finally: when oh when is there going to be a cd of 'The Voyage'? That certainly is overdue!

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2 of 3 people found the following review helpful:
4.0 out of 5 stars Glass near his best, 8 Mar 2004
By Mr. Warren M. Fisher (East Grinstead, West Sussex United Kingdom) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)      
Working again with Errol Morris ('The Thin Blue Line', 'A Brief History of Time')Glass has crafted a wondefully varied palate of sound. Unlike his recent disappointing 'Naqoyqatsi' (also on the subject of war), this score to a documentary on Robert McNamara and the Vietnam War is a pungent listening experience, evoking the drama and tragedy of war. Stand-outs include the opening and closing tracks ('100,000 People' & 'The Fog of War'), and most powerfully 'Low Evil' and 'Evil Grade' both using a deeply unsettling wash of electronic sound reminiscent of mid-1970's Germanic-influenced electronica. Glass also recycles tracks from his back catalogue (as he did on 'The Hours') 3 pieces from 'Company' and 'In The Upper Room', which mesh seemlessly with the new material.

Whether you agree with Morris' and Glass' reading of the Vietnam War and its modern parallels, this is spellbinding music - stark, eloquent, moving and frightening. This is right up near the top of Glass' best work, deploying all his musical hallmarks and his new-found harmonic freedom. The large number of cues here mean most pieces are short, so never out-stay their welcome, although one is left yearning for more of the most powerful pieces.

Glass is and remains the outstanding voice in contemporary classical music.

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