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5 of 6 people found the following review helpful:
4.0 out of 5 stars
One of many good recordings..., 4 May 2005
One does hardly lack options when shopping for a period performance Dido recording, and this one certainly has some fine qualities to distinguish itself in a field of many.First of all, Emanuelle Haïm conducts (from the harpsichord) with so much passion and emotion, that one can almost picture her in a dreamlike trance in front of the orchestra. Le Concert d'Astree is a new name to me when it comes to baroque ensemles, but it follows nicely in the French tradition (Les Arts Florissants, Les Musiciens du Louvre et cetera), playing with much spirit and emotion, although lacking some of the godlike precision of, say, EBS under Gardiner or Akademie für Alte Musik Berlin. The choir, however, is definately at par with Gardiner's or McCreesh's in terms of diction and precision. I think the constellation of orchestra and choir under this conductor is ideally suited for more passionate baroque music (like this), than, say, Bach cantatas. (...) The singers are fine without being outstanding. the major parts are sung by stable names as Susan Graham, Felicity Palmer (a sorceress veteran) and Ian Bostridge. Mr.Bostridge has a beautiful high tenor voice, and accordingly, some problems with the tessitura of Aeneas. (...) BR>The scenes with Susan Graham and Camilla Tilling as Dido and Belinda works very well on the other hand- the mix between the lyric voice of Tilling and the dramatic voice of Graham is exceptional. This is a great recording at a low price. It's the most recent Dido around (2003) and it's a pleasure to the ears. If you can live without a soprano Dido (...) and an Aeneas struggling in the low end of his register, this may very well be the best choice around.
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