Most Helpful Customer Reviews
|
|
33 of 34 people found the following review helpful:
5.0 out of 5 stars
The Chicken's still dancing....., 6 Feb 2003
The story of Factory Records & the Hacienda is a long and complex one, full of urban myths and legends, humour, tragedy and some of the best music ever made.Inevitably, the film struggles to contain its vast subject matter and was apparently edited down from 3 hours. In the end, Michael Winterbottom has made a film which reflects the myth and the truth of Factory in equal measures. The film leaps wildly from hyper-realism (The Hacienda interior is re-created down to the last brick, even inviting back the original punters to re-create the atmosphere for one last time) to pure fantasy (Happy Mondays trip to Barbados is re-created as a scene from Robinson Crusoe). The film features so many enigmatic characters, and several who deserve a bio-pic of their own. Shaun Ryder and the late Rob Gretton, Ian Curtis and Martin Hannett. To narrow the scope, the film is “seen” through the eyes of Tony Wilson, although on the DVD commentary, Wilson points out that he has fought tooth and nail to have some scenes left out which he insists are entirely untrue. Bizarrely, Wilson still holds down a job as a respected newsreader on Granada TV despite the film depicting him romping with prostitutes and taking copious amounts of drugs. The film itself makes some playful contrasts between Wilson’s life as TV presenter, and that as director of a chaotic, anarchic record label and nightclub. We cut from Wilson living it up on the tour bus with Happy Mondays, to Wilson conducting a banal interview with a pensioner for local TV news. Like Factory, the film is messy, inconsistent and bloody-minded. But like Factory, it looks great and the music is good. Coogan is great, if a little Partridge-esque as Wilson. Paddy Considine captures New Order’s late manager, Rob Gretton to perfection. There are funny little cameo appearances from everyone from Peter Kay to Howard Devoto, some wonderful period re-creations of 80s Manchester, and a few moments of genius. Just to have a feature film on this subject is astonishing in itself. And on the DVD, 8 hours of extras. Perhaps best is the commentary from Wilson himself, which is intelligent, funny and insightful. You also get a commentary from Coogan and the Director, short interviews with many of the people involved with Factory and the Manchester music scene, 24 clips from the cutting-room floor, trailers, a New Order video featuring John Simm. And on the second disc, Wilson conducts a fascinating interview Peter Saville, whose beautiful designs were such an integral part of Factory and influence the aesthetic of Manchester music, culture and clubland to this day. Also on the disc is a documentary about Michael Winterbottom and a video commentary from various associated persons such as New Order’s Peter Hook. This is a little bit hit & miss, as they really spend most of the film reminiscing about the Hacienda rather than commenting on the film itself. Its quite entertaining though, and it does feature the great Bruce Mitchell, drummer with Durutti Column and a man who wasn’t in the film despite the fact that he was present at every event featured. He even did the lighting for the Sex Pistols gig that opens the film. All in all, a good value for money package. The extras really add to your enjoyment of the film, especially if you are unfamiliar with the context of the film and the whole Factory and Hacienda story.
|
|
|
4 of 4 people found the following review helpful:
5.0 out of 5 stars
A shocking but often inspiring story, 19 Feb 2008
This tells the story of Factory records, the record label started in the late 1970's by the enterprising Tony Wilson, whose death has recently reverberated through the music business. In this film, Tony is played by Steve Coogan, who manages to capture some of Wilson's Cambridge arrogance, yet also much of his childlike enthusiasm for music and less than perfect money-management skills.
Wanting to put Manchester on the musical map seemed to be Tony Wilson's main motivation right from the off, and shortly after the formation of factory records, signing various bands. Some of them aren't so well recognised today, such as 'A Certain Ratio', but some of them, such as 'Joy Division', went on to become one of the most influential bands of the post-punk era. A lot of this was down to the eccentric producer Martin Hannett, who worked in such a fearlessly authentic way that Joy Division's debut 'Unknown Pleasures', went on to become one of the most unique, distinctive and authentic records of all time. Which is just as well considering how difficult to please Hannett was - even going so far as to make Joy Division drummer Stephen Morris do his drumming on the roof.
The premise of Factory Records was simple: it was all about art, rather than profits. In this sense, Tony Wilson was a spectacularly inept businessman, but his commitment to music, nurturing new talent, and focusing on artistic output was unwavering.
After the tragic suicide of Ian Curtis in 1980, Wilson's next venture was 'The Hacienda', an ultra-modern nightclub in which Wilson got a whole host of musical acts from all corner of the music business to perform. These included The Smiths, Happy Mondays and various others.
It is at this point in the film that a lot of heavy drug use begins to occur, when Wilson takes the morally bankrupt Happy Mondays under his wing. Despite being warned against this, he is convinced that the Monday's lead singer Shaun Ryder is a genius. The Monday's go on to blow millions of pounds of drugs and a holiday in Barbados, nearly bringing Factory Records to it's knees on several occasions.
This film is superbly directed and skilfully acted. It features a whole host of great Manchester-based actors, all of whom add a certain Mancunian authenticity to the film. All in all, it beautifully explores the trials and tribulations of Tony Wilson, plus the failures and successes of his often naive business ventures, all of which were designed to make Manchester the centre of the music business. For many years, they succeeded.
|
|
|
2 of 2 people found the following review helpful:
4.0 out of 5 stars
Entertained, but a rent before buy job, 18 Oct 2007
I'm suprised this film has been shown so little on TV. And the time I first saw it was actually on 'Film 4', so god know's the last time anyone else aired it!
I guess theirs little need to explain what this film is about. After all, to gaze interest in it means you have some sort of knowledge of 'Factory Records'. However, I understand that their may be people out their who, like me, had originally thought that they were the only people not to have seen this film.
24 Hour Party People attempts to capture the life of, what was, the record label 'Factory Records'. Its important to remember firstly, that this is only a film, and the facts even then are only loosely based unfortunately. What's more, cramming such a long period of time into the space of 2 hour's surely couldn't have been easy.
And so, the film starts at the companies very roots, the very man himself Tony Wilson. With his desire to make it big and to try and be different, he formed what was Factory Records in an attempt to generate a new style of music. Indie (independent) music bands. From here on, we see the rise and fall of 'Joy Division', as poor Ian Curtis died (such a shame for the talented young lad) and the group re-form as 'New Order'. With the new synth sounds and disco-influence Wilson brought from Chicago (though not covered) the club turned to 'the' place to go, as they swapped the dark sounds of bands no-body knew, to the true sound of the eighties.
The film ends rather rushed, unfortunately covering little of the time-span between The Hacienda's rise in house music, to the time it was shut down. Included here is an example of how the film-makers attempted fictional scenes, one in particular where Wilson 'apparently' got up to the DJ booth and told everyone to party on as the club was raided. This was not true - no-body knew the Police were coming that night!
Though the overall transitioning of scenes and stories makes this an easy film to watch, I feel it's been such a missed opportunity to include more, instead of filler scenes in which we see a group of characters talking. We can't know whether these were true or not, which leaves you to thinking why they didn't just base the whole film around fact. Big details that have been left out are things like the story behind the 'FAC #' numbering system (basically, Wilson numbered every Factory records product FAC, then the number). I think Ian Curtis' character has been left quite stale, considering the personality and life he had.
However, it has to be given credit to the sets and attention to detail. FAC 51, The Hacienda, was re-built and looks quite stunning, so much so you wouldn't think it was a mock-up. The original 'Factory' club looks incredibly original too.
It was interesting to see some reviews here from people that didn't even know what 'factory records' was. All I can say is if you don't know what the film is about, why watch it? It has been filmed as a docu-style movie, and therfore a background knowledge of the life Tony Wilson, or The Hacienda etc will help!
With the new film 'Control' out already (and looking excellent, with non-stop raving reviews) I think it'd be very fair to say watch Control instead, for a far more authentic and less-crammed story.
All this being said, 24 Hour Party is quite an entertaining film, but just don't expect a truly authentic account of this great era.
|
|
|
Most Recent Customer Reviews
|