From Hell - Definitive Edition [2001] DVD ~ Albert Hughes
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Product details
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On the DVD: From Hell on disc is presented in widescreen 16:9 glory with atmospheric DTS or Dolby Digital 5.1 sound options. The animated menus look nice but are more than a little confusing. The 23 deleted scenes, including an alternative ending, are all offered in black and white with commentary and justification for the cuts by Albert Hughes. Film commentary is offered by Albert Hughes, screen writer Rafael Yglesias, cinematographer Peter Deming and Robbie Coltraine.
Disc 2 has a wealth of information including a "Victim/Suspect File" which takes you through Jack the Ripper theories from the 19th-century police investigation to modern speculations, including Allen Hughes Elephant Man theory! The Production Notes show the locations in Prague and the "Tour of Whitechapel" is a murder-by-murder set visit with the Hughes brothers. Theres a feature on the original graphic novel; "Absinthe Lovers" offer an insight into the psychedelic drink; and, finally, the HBO special "A View from Hell", with Heather Graham, is standard promotional fare.--Nikki Disney
Synopsis
FROM HELL is a gory detective film cloaked in Victorian-era mystique. The movie shows how the serial killer Jack the Ripper stalked the dark streets of 1888 London, slaying prostitutes and crudely dissecting their bodies. Based on the graphic novel written by Alan Moore and Eddie Campbell, this moody chiller is directed by twin brothers Albert and Allen Hughes (MENACE II SOCIETY, AMERICAN PIMP). Johnny Depp stars as Inspector Frederick Abberline, who smokes heavy doses of opium and drowns himself in absinthe to evoke hallucinatory visions that are his clues to catching the Ripper. Heather Graham co-stars as the prettiest of the floozies, who wins the muted affections of the inspector. With plenty of atmosphere and spooky effects, FROM HELL borrows scenery, filming tricks, and sequence construction from a host of popular movies, resulting in a visually interesting style. Haunting nighttime shots of the London skyline (actually Prague) bleed into shadowy Tim Burton-like prowls through the damp cobblestone streets; aerial camerawork contrasts with crowded ground-level focuses; and the camera peeks around corners and into foggy windows with stealthy curiosity. What may stand out most in viewers minds after the carnage is through, is the exaggerated use of surround sound, which brings a dreadful sense of reality to the film's gore, making FROM HELL all the juicier.
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