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13 of 13 people found the following review helpful:
5.0 out of 5 stars
Play the long version of "Battle Without Honor or Humanity", 11 Jan 2005
I went to my first funeral recently and of course afterwards I was wondering what my own would be like. Apparently you have input in a few areas and one of them is music, and if I had my druthers I would like "Battle Without Honor or Humanity" by Tomoyasu Hotei playing as the casket is brought into the church. It would be nice if my eldest daughter dressed up like Gogo Yubari, but that would probably be a bit much. But right now that particular song has been playing on a continual loop in my mind and you can only play Chapter 13 of the "Kill Bill, Volume 1" DVD (which gives you Al Hirt's "Green Hornet" along with "Battle Without Honor or Humanity) so often and just listening to the little bit of the song on the main menu, after a bit of "Twisted Nerve" to set the stage, is sheer madness. But the real reason I picked up the soundtrack for "Kill Bill, Volume 1" is so that I can play my song of the moment whenever I get into the car. Now, to be clear, while I am hooked on that one particular song and happy to discover that the song actually goes for a whole 2:28, it is not the only primo track in the collection. The epic is a 10:30 version of "Don't Let Me Be Misunderstood"/"Esmeralda Suite" by Santa Esmeralda starring Leroy Gomez. There there is Luis Bacalov's "The Grand Duel" and then James Last & Gheorghe Zamfir and his pan flute for "The Lonely Shepherd" (4:20). Then for short bursts of fun there is Charlie Feathers' "That Certain Female," the whistling of Bernard Herrmann's "Twisted Nerve," Al Hirt's "Green Hornet," The 5,6,7,8's "Woo Hoo," and an excerpt from Quincy Jones' theme for "Ironside." Then we can mention that the whole thing starts with Nancy Sinatra doing the Sonny Bono song, "Bang, Bang (My Baby Shot Me Down)." For my money that is ten prime tracks, which for a soundtrack albums is absolutely outstanding. The only ones I have are, of course, Nancy Sinatra (my favorite female vocalist from the Sixties if you must know), and the theme from "Ironside" (I have a lot of CDs of television themes). Since this is a Quentin Tarantino film there are a few audio excerpts from the film, O-Ren Ishi's speech as "Queen of the Crime Council" and most of the final dialogue of the film when the Bride tells Sofie Fatale "You're My Wicked Life" (which you will probably find ends too soon for your tastes). But "Kill Bill" is about stunning visuals and great music rather than unforgettable dialogue in the tradition of "Pulp Fiction." In fact, if they had ditched the dialogue and added the two little bits of music that come at the start of the film before Nancy starts singing I would have been happier (being nostalgic over the "Feature Presentation" music is what happens when you get old).
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