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But there are moments when Casablancas nudges his band into new, promising directions. "12:51" seems malnourished on first listen, but its sulky, understated twists soon turn out to be memorable. "Reptilia", meanwhile, showcases the fabulous--and teasingly underexploited--guitar playing of Albert Hammond and Nick Valensi, being a collection of chiming riffs and tumbling solos that suggest the Strokes should allow themselves the freedom to rock more often. Oh, and "Under Control" is a dream--specifically, one where the Smiths are playing "Tracks of My Tears". Best think of Room on Fire, then, as an album where the Strokes plot their escape from the predictable, but are a little too cautious to make a proper getaway. Courage, gentlemen. --John Mulvey
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