Amazon.co.uk Review
If ever a group's name were wrapped in florid irony, it's surely that of the Thorns.
The Thorns is a bright, buoyant summit meeting of contemporary popmeisters
Matthew Sweet,
Shawn Mullins and
Pete Droge. Backed by an all-star studio ensemble that includes Jim Keltner, Greg Leisz, Brendan O'Brien and Roy Bittan, the three nominally insulated musicians do more than claim the legacy of
Crosby, Stills & Nash on the harmonic riches of "Think It Over" and the glorious "Now I Know". (It's equally hard to imagine the baby-boom icons wrapping themselves around the chunky funk of the title track here or the pointed impressionistic allegory of "Dragonfly".) They also find a musical common ground that can't help but echo history in its folk-rooted vocal glories yet forges an ego-sublimating higher ground that's anything but nostalgic. Fans of the three musicians may recognise their various sensibilities at work throughout, but this is a rewarding collaboration that virtually defies deconstruction. Don't be misled by the name--this is a beautiful, accessible, musically fragrant bouquet.
--Jerry McCulley
CD Description
Any time a new "supergroup" is formed, fans of the combo's individual members are both excited and skeptical. In the case of The Thorns, these particular emotions ran especially high when it came to singer/songwriters as talented, critically lauded, and seemingly incongruous as power-pop icon Matthew Sweet, neo-folkie Shawn Mullins and Seattle rocker Pete Droge. Amazingly, the word that comes to mind upon first listen to THE THORNS is "band". Putting aside all prima donna tendencies in the service of finding a cohesive sound, the boys come up with a spectacularly lush, organic, and relaxed stylistic fusion. Recalling other extraordinary groups like Crosby, Stills & Nash and RUMORS-era Fleetwood Mac, the Thorns' delicately strummed acoustic guitars, sparkling yet rootsyproduction, and gorgeously full three-part harmonies paint a consistently uplifting sonic landscape that's distinctly retro, yet never purely imitative.