Amazon.co.uk Review
Sinead O'Connor really knows how to end a career. True, she's been trying to do it since the early 1990s, through incendiary action and regularly spaced announcements of her retirement. The release of
She Who Dwells comes with the caveat that it is O'Connor's last wilful act and musical testament--and, who knows, her third attempt to flee the music industry may stick. If so, it's a shame because after nearly a decade of flailing musically, O'Connor rediscovered her true voice in 2002 with
Sean-Nos Nua, an album of traditional Irish songs reimagined in surprisingly fresh ways.
She Who Dwells is a two-CD set, but in typical O'Connor fashion it's oddly framed. Disc one is a collection of 19 rarities and previously unreleased tracks split three very different ways. There are more traditional Irish tunes, her electronic collaborations with Massive Attack and Asian Dub Foundation and a range of covers that includes songs written or made famous by Aretha Franklin, Gram Parsons, the B-52s and Abba. (These latter tracks shouldn't work, but for the best evidence they do, check out her almost Tex-Mex pop version of "Chiquitita".)
Disc two is a more traditional career-ending retrospective; it's a 13-track recording taken from a late 2002 concert at Vicar Street Theatre in Dublin. About half the songs come from Sean-Nos Nua, with three songs each lifted off I Do Not Want What I Haven't Got and Universal Mother. O'Connor is backed by a great band that features Irish music stalwarts Donal Lunny and Sharon Shannon. As good as they are, it's O'Connor's voice that stuns throughout, whether singing the Irish blues of "I Am Stretched on Your Grave" or a version of "Nothing Compares to U" that contains both flute and a stately cello solo. One hopes this isn't the last we hear from O'Connor, but even if it is, she's left us on a pure, high note. --Keith Moerer