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Lost In Translation [2004] DVD ~ Scarlett Johansson  (227)
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Track Listings
| 1. Intro/Tokyo |
| 2. City Girl |
| 3. Fantino |
| 4. Tommib |
| 5. Girls |
| 6. Goodbye |
| 7. Too Young |
| 8. Kaze Wo Atsumete |
| 9. On The Subway |
| 10. Ikebana |
| 11. Sometimes |
| 12. Alone In Kyoto |
| 13. Shibuya |
| 14. Are You Awake |
| 15. Just Like Honey |
Product Description
Amazon.co.uk Review
Sofia Coppola has, with two elegant movies, proved herself a talented director with a keen eye for interior life. She's also got great ears. For Lost in Translation, the story of a May to December friendship in Tokyo between two displaced Americans, the score is a tonic for jetlag. Coppola prescribes a dose of shoegazer pop, from My Bloody Valentine's chiming "Sometimes" to Jesus & Mary Chain's fuzzed-out "Just Like Honey". The music nails the hazy conscious state of actors Bill Murray (as a movie star in a midlife crisis) and Scarlet Johansson (as an emotionally marooned twentysomething). It also provides a safe, warm envelope in which they can enact their overseas adventures. Working with producer Brian Reitzell, Coppola lured Valentine's Kevin Shields into providing several slices of dreamy indie-rock and sonic wallpaper, as stylish as it is formless. There's a welcome bit of Japanese goofiness, a funhouse-mirror reflection of US folk-rock courtesy of early-1970s band Happy End. And a "hidden" track provides the audio of Murray, in the film, doing his sleepy karaoke version of Roxy Music's "More Than This." --Marc Weidenbaum
Sofia Coppola has, with two elegant movies, proved herself a talented director with a keen eye for interior life. She's also got great ears. For Lost in Translation, the story of a May to December friendship in Tokyo between two displaced Americans, the score is a tonic for jetlag. Coppola prescribes a dose of shoegazer pop, from My Bloody Valentine's chiming "Sometimes" to Jesus & Mary Chain's fuzzed-out "Just Like Honey". The music nails the hazy conscious state of actors Bill Murray (as a movie star in a midlife crisis) and Scarlet Johansson (as an emotionally marooned twentysomething). It also provides a safe, warm envelope in which they can enact their overseas adventures. Working with producer Brian Reitzell, Coppola lured Valentine's Kevin Shields into providing several slices of dreamy indie-rock and sonic wallpaper, as stylish as it is formless. There's a welcome bit of Japanese goofiness, a funhouse-mirror reflection of US folk-rock courtesy of early-1970s band Happy End. And a "hidden" track provides the audio of Murray, in the film, doing his sleepy karaoke version of Roxy Music's "More Than This." --Marc Weidenbaum
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