Most Helpful Customer Reviews
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18 of 18 people found the following review helpful:
5.0 out of 5 stars
this is special, 31 Aug 2003
needless to say, if you love bjork's studio albums, you'll love this, whether you've seen her in concert before or not. there are four cds of material, gathered together from her mtv-unplugged session for "debut" (the highlight, in my opinion), the 1997 shepherd's bush concert for "post", pretty much everywhere and anywhere for "homogenic", and again, during the 2001 world tour for "vespertine". you might have heard bits of it before, but there is nothing out there as comprehensive as this, or as brilliantly produced. occasional vocals in icelandic, accordian solos, talvin singh's tabla, and, of course, from her most recent tour, matmos, rubbing themselves lasciviously with various bits of electronic wizardry... and, oh, that voice... that voice.for this price, you can't ask for more. (although there is also a looong interview and "bonus" dvd for those of you who DO ask for more.)
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
All Is Full Of Love, 27 Aug 2003
The first time I heard whispers about Björk planning to release live versions of all her albums I was sceptical that it would even get off the ground, considering all the complaints circulating about the delays for the Royal Opera House DVD. Then the rumour was officially confirmed and I started to believe - but with some trepidation about the final product, as I envisaged having to buy all of the albums again. Then, when the format was announced as a box set, I feared it would turn out like the Family Tree set - overly-lavish and hence over-priced.I was pleasantly surprised, then, when more details emerged and it became apparent that the box was going to be kept relatively unextravagant but by no means dull. The packaging is just a simple box containing the five individually sleeved CDs, which have printed on them not only the track information but also short appraisals of Björk’s work and some direct quotes from the artist herself. A separate booklet is also included, featuring pictures from live shows and an interview with Björk spanning topics across her entire solo career. As for the CDs themselves, it isn’t just a case of the albums being matched song-for-song, there are plenty of extras to keep the fans content: a number of songs are repeated in slightly different renditions (such as Anchor Song and Human Behaviour), as well as a few of B sides being present (I Go Humble, an instrumental version of Vísur Vatnsenda-Rósu and Generous Palmstroke). Debut is perhaps the most interesting of the four albums, with all of the songs except (Venus As A Boy) coming from an MTV Unplugged performance. Ordinarily, the term “unplugged” seems to suggest acoustic versions, stripped bare of any ostentations. However, Björk’s performances are as lavish and brilliantly produced as any of her studio work, performed with almost entirely different instrumentation. One Day is a particularly good case in point, as the accompanying footage can be found as the first track on the DVD, so you can see all the weird and wondrous percussion instruments featured on it. The rest of the performances (i.e. on the other CDs) are fairly standard fare as far as these things go, in that they don’t deviate too far from the original versions. However, it can be the little flourishes and alterations that make all the difference. For example, it’s quite interesting to listen to the sting-only performance of Jóga, especially as I’d been thinking about what it would be like without the electronic beats just a few days ago. Just about my only criticism is that a few songs (some of them particular favourites of mine) have been left off particular albums. Debut is missing There’s More To Life Than This (although one could argue that it’s already in live form), Post loses Cover Me, Homogenic doesn’t have Alarm Call, Vespertine doesn’t have Sun In My Mouth or Heirloom, while Selmasongs is only represented by Overture and I’ve Seen It All. I can understand this last, since Selmasongs wasn’t a tour-supported album, but it seems curious to say the least that anything would be left off such an otherwise comprehensive collection. I suppose it could just be that they haven’t been played live. Still, I suppose what’s left makes up for these few omissions. Overall, an excellent package and real treat for the Björk fan/collector. If only there were more artists who put in such an sustained effort to make their live back catalogues available.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Army of She, 18 Aug 2006
A friend of mine lent me his copy of Live Box back in 2003, demanding that I listen all the way through. Not being a huge fan, I raised my eyebrows at this. After all, this is Bjork - not the most accessible of artists. Or so I'd convinced myself.
Well, I did it. I took the plunge and I listened to the whole thing all the way through. Then I did it again. And again. And again. Then I gave back my poor buddy's now battered copy and bought my own.
This superb collection of live material is quite possibly the biggest revelation I've had as a music addict for years. I have to admit that I had built up this disturbing image of Bjork as a dotty, slightly maniacal, wailing banshee without ever actually listening to her music, and it was only upon ridding myself of these ridiculous preconceptions that I finally came to appreciate what an incredible talent this lady is.
The live arrangements and instrumentation (on the "Debut" set especially) are, quite simply, incredible. Hammonds, harps and harpsichords fight for space with violins, baritone saxophones, Spanish guitars, tablas and laptop microbeats. It's as a live vocalist, however, that Bjork's genius is fully realised. The infectious way in which she belts out those alien melodies that could only have come from Alpha Centauri or some such far-flung constellation is nothing short of spellbinding.
Having heard Bjork's studio records since acquiring this box set, I have been consistently astonished by her ability to destroy any barrier with which she finds herself faced. I'm so smitten, in fact, that I recently wrestled my will power mercilessly to the ground and shelled out huge wads of hard-earned cash on the career spanning set "(___surrounded)", an act for which my dear wife will no doubt slaughter me when she finds out.
It's back to the organic sound of Live Box, however, that I find myself invariably drawn, and my advice to anyone curious about this most original of artists is to start here.
And take a leaf out of Bjork's book - don't be afraid.
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