Most Helpful Customer Reviews
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11 of 11 people found the following review helpful:
4.0 out of 5 stars
A sporadically glorious mess - in a slightly different cut to the US version, 15 Sep 2006
Farewell to the King should have been John Milius' masterpiece. Harking back to Joseph Conrad and the days of high adventure so beloved of the writer-director, this WW2 tale of a deserter who becomes a king in Borneo only to lose everything fighting the Japanese and betrayed by the Allies, it seemed made to measure for his brand of bravado and myth making. Even had Milius not ill-advisedly taken Spielberg's advice to trim half an hour from his original cut and the film not been released in two slightly different cuts on either side of the Atlantic, Farewell would almost certainly still have been an awkward and under-achieving film so problematic are many aspects: yet for all its many faults, there's enough there that IS unique to keep on drawing me back time and again. Part old-fashioned adventure, part folie de grandeur, all box-office disaster, it's a mess, but it's an intriguing one that's hard to dislike despite its many flaws, and Basil Poledouris' remarkable score is a thing of wonder.
The performances are variable: Nigel Havers is fine as the narrator who knows that one day he'll have to betray the King, but in a part that really calls for a Steve McQueen or a Russell Crowe, Nick Nolte has a few too many eccentric moments and isn't always able to make Milius' dialog sound as good as it reads (a common problem in many of his scripts). Frank McRae, Marius Weyers and Milius' old surfing buddy Gerry Lopez offer good support, but there's a truly terrible but mercifully brief performance from the future Mrs Milius, Elan Oberon. The film feels somewhat cramped at times due to Milius' decision not to shoot in Scope (he dislikes 2.35:1 despite doing his most visually impressive work in the ratio), although cinematographer Dean Semler pulls off an impressive sequence where a night time ambush goes horribly wrong due to a sudden shift in the weather.
It would have been interesting to see what author Pierre Schoendoerffer would have made of it had he been able to direct it himself. Like Milius an unashamed admirer of Joseph Conrad (the story is basically a WW2 reworking of Lord Jim), the French writer-director's own films, particularly the haunting Le Crabe Tambour, hint at a more melancholy, less gung-ho attack on the material. But Milius' film has enough going for it to make it worth a look.
The US cut recently released on Region 1 DVD by MGM/UA is different in quite a few ways to the European version, released in the UK by Prism. For a start, it's shorter, although it has some additional footage: the battle montage as the Japanese retreat is much longer (the entire battle at the river is cut from the European versions), while there's a scene of James Fox reminiscing about a girl he knew in India that is missing from the European cut, as well as a few additional lines of dialogue in some scenes. However, there is a huge and fairly important scene cut from near the end of the picture, where Fairbourne (Havers) visits the Japanese general as he has his last meal before his execution: it's not an entirely successful scene, but the film works better with it than without. There's also a big structural difference, with the US cut showing Learoyd deserting and watching his companions being executed as a pretitle sequence - this footage is in the European cut, but much more comfortably included much later when Learoyd is telling the story of how he became king. Also, the opening quote has been dropped and replaced with title cards specifying the date and location, while the closing narration is longer. On the whole, aside from the missing battle montage footage, the European version plays better.
It was too much to hope for deleted scenes or even Milius' original two-and-a-half hour cut of the film on either the PAL or the NTSC disc, but they could have at least included the trailer - but unfortunately both PAL and NTSC versions are completely extras free. The NTSC version contains a slightly dark 1.85:1 transfer of the US version, while the R2 PAL disc is an acceptable fullframe transfer of the European cut of the film that is sporadically grainy and does have a very noticeable sound drop-out at one point, as well as missing the translation subtitles for a three or four lines of dialogue that are on the US disc.
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0 of 2 people found the following review helpful:
4.0 out of 5 stars
World War II fantasy for a rainy afternoon., 4 Jan 2008
This film is presented in the style of a drama-documentary.
It is difficult to say why this is a good film. I think it is perhaps the refreshingly casual way the story is told. Whilst there is a fair bit a conflict, the message of the film is anti-war. The only heroic actions being of a diplomatic nature.
If a ripping yarn about a T.E.Lawrence wannabe sounds interesting, then this film is for you.
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