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Once Upon A Time In The Midlands [DVD] [2002]
 
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Once Upon A Time In The Midlands [DVD] [2002]

DVD ~ Robert Carlyle
3.0 out of 5 stars See all reviews (4 customer reviews)

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Once Upon A Time In The Midlands [DVD] [2002]
43% buy the item featured on this page:
Once Upon A Time In The Midlands [DVD] [2002] 3.0 out of 5 stars (4)
Once Upon A Time In The Midlands [DVD] [2002]
31% buy
Once Upon A Time In The Midlands [DVD] [2002] 3.5 out of 5 stars (2)
£4.98
A Room For Romeo Brass [DVD] [2000]
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A Room For Romeo Brass [DVD] [2000] 4.6 out of 5 stars (18)
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Twenty Four Seven [DVD] [1998]
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Product details

  • Actors: Robert Carlyle, Rhys Ifans, Kathy Burke, Vanessa Feltz, Ricky Tomlinson
  • Directors: Shane Meadows
  • Writers: Shane Meadows, Paul Fraser
  • Producers: Andrea Calderwood, Claire Hunt, Hanno Huth, James Wilson, Louise Knight
  • Format: PAL
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 2
  • Classification: 15
  • Studio: Cinema Club
  • DVD Release Date: 4 Oct 2004
  • Run Time: 100 minutes
  • Average Customer Review: 3.0 out of 5 stars See all reviews (4 customer reviews)
  • ASIN: B00009MGKM
  • Amazon.co.uk Sales Rank: 45,253 in DVD (See Bestsellers in DVD)

Reviews

Amazon.co.uk Review
Once Upon a Time in the Midlands is credited as the closing part in a loosely connected trilogy by director Shane Meadows. A Room for Romeo Brass (1999) and Twenty Four Seven (1997) preceded it, and ultimately the viewer will be hard pressed to discern anything other than the British Midlands locale linking them together. That and the generally grim tone. Here we have what boils down to a tale of a girl (Shirley Henderson) who can't decide between two guys (her ex, Robert Carlyle, or her current boyfriend, Rhys Ifans). Wrapped up in some easy comedy and framed in the occasional nod to the spaghetti western genre, the movie initially has plenty in its favour. Unfortunately, the intrusion of a B-plot, involving some Scottish thugs, overpowers the more pleasant family portrait. As a result, the stellar performances by Kathy Burke and Ricky Tomlinson get lost in the drama of the love triangle. After swinging back and forth indecisively, Shirley's conclusion to the tale doesn't have the emotional punch that it should have. This third Midlands tale may be the most accessible in terms of familiar characters and aspects of contemporary British life, but it isn't the kind of escapist movie experience suggested by its title. --Paul Tonks

Special Features
English
Region 2


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Customer Reviews

4 Reviews
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 (1)
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 (2)
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Average Customer Review
3.0 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
8 of 8 people found the following review helpful:
3.0 out of 5 stars Not as bad as I'd been led to expect., 28 Feb 2006
By Jonathan James Romley (Dublin, Ireland) - See all my reviews
(TOP 50 REVIEWER)   
If the interviews and commentary-track on the Dead Man's Shoes DVD are anything to go by, even Meadows himself considers this film to be something of a failure... even going so far as to take up semi-retirement until Paddy Considine could talk him into making another film. As a result of Meadows' personal opinion, coupled with the critical notices at the time, I'd avoided the film under the allusion that it was an absolute cinematic disaster... a Brit-flick turkey completely devoid of merit!! As it happens, however, the film isn't all that bad, or at least, not as bad as I'd been led to believe by the director and the critics.

The story is simple, with Meadows and co-writer Paul Fraser playfully attempting juxtapose the conventions of the western genre with the more traditional style of British storytelling favoured by the likes of Ken Loach and Mike Leigh. So, we have the usual western flourishes - the lone desperado riding into town, the fight between the two protagonists over the hand of a fair maiden, and the big mid-narrative showdown in the local saloon - appearing alongside the more obvious British concerns like family-ties, shell-suits, day-time talk shows and bingo. The combination of the two forms isn't entirely successful, and it seems that the filmmakers aren't quite committed to the concept 100%, with certain parts of the film simply descending into the style of filmmaking usually reserved for an ITV social drama. The use of the widescreen "cinema-scope" photography works well, with Meadows lovingly referencing the films of Sergio Leone, most prominently in the scene in which Robert Carlisle's character Jimmy has an altercation with the bumbling Dek, brilliantly played by Rhys Ifans, at the auto-garage where he works. As well as that particular scene, there's also the big climactic face-off between the two characters, which is also perfectly handled by Meadows and his crew... with the director making great use of the frame and plenty of low-angles, whilst a crane shot rising above the houses as one of the characters drives off into the sunset is also a particularly nice touch (still... it's a shame Meadows didn't go for close-up shots of the character's eyes, ala A Fistful of Dollars, but perhaps that would have been a little too much?).

Comic relief comes courtesy of Ricky Tomlinson and Kathy Burke in supporting roles, with both actors doing their usual trademark shtick to great effect (for example, a scene in which Burke's character accidentally gets hit on the head with a projectile microphone is bound to generate more laughs that you'd probably expect!!). Carlisle and Shirley Henderson are both good in their pivotal roles, though for me it's Ifans who really impresses, managing to make his character likable and believable as he progresses through the film from meek-doormat into someone who is willing to fight for the family he loves. This is the second film I've seen, following Enduring Love, in which Ifans hasn't seemed like a complete caricature (like he did in Notting Hill and Human Nature), with both films showing his capacity to switch from sly humour to emotional drama within a single scene and furthering his metamorphosis into one of the UK's greatest actors.

Once Upon A Time... is by no means as impressive or inspiring as other films by Meadows, in particular A Room For Romeo Brass and Dead Man's Shoes, but it's enjoyable enough and charming in it's own way, with Meadows and Fraser balancing an interesting story with an imaginative concept and a handful of strong performances. It's certainly worth picking up if you can find it in the budget-price range, as the DVD comes with a second disk or great entertainment, with making-of documentaries, deleted scenes and interviews, as well as the great Shane's World compilation that was shown on Channel 4 a few years back (...basically a collection of four short films by Meadows, inter-cut with 'Tanks Tips', a how-to guide to short filmmaking, presented by Meadows in character, as the legendary Tank Bullock).

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11 of 12 people found the following review helpful:
4.0 out of 5 stars Comic Western in the East Midlands, 25 Oct 2003
Shane Meadows has once again tapped into the East Midlands resources with a Western twist. The story is a wonderful tragic/comedy with many well known characters from TV, which gives the film that something extra. Finn Atkins is brilliant as the young daughter who makes the decisions for the dithering adults, and excels in her first movie role. Shame about so much foul language. Ignore that, and you'll love the movie.
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10 of 15 people found the following review helpful:
2.0 out of 5 stars Spoiled by its own success, 27 Dec 2003
By www.laurahird.com (Edinburgh, United Kingdom United Kingdom) - See all my reviews
Love Shane Meadows. Wrote in fluorescent marker pen on the envelope of my Xmas cards the other year that everyone should see, and spread the word of, "A Room For Romeo Brass," one of the greatest films ever made. 24/7 was an amazing debut full-length film. Delighted at the media attention "Once Upon a Time." has been getting, as it will give Shane Meadows attention he well deserves. Great that "stars" got on board, a testament to how far and well respected Meadow's work is. In the end it sort of spoiled the film for me though. Famous character actors playing characters so similar to those that make them famous in the first place, detracts from the film. Rhys Ifans is great out of type but the 12 year old daughter character (Finn Atkins) steals the show. Rather clichéd but well worth seeing for this remarkable young actress and because Shane Meadows is still one of the best British directors around. USE IT AS A TRIGGER TO WATCH A ROOM FOR ROMEO BRASS AGAIN
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