Amazon.co.uk Review
One thing that
Counterfeit proves is that Martin Gore has exemplary taste in music. The
Depeche Mode songwriter's first full-length solo excursion is a covers album in the tradition of Bowie's
Pin-Ups. The 11 tracks range from obviously classic works by rock lords
Lou Reed,
Nick Cave,
Brian Eno,
Iggy Pop and
John Lennon to a pop trash wild card--a winsome version of David Essex's "Stardust". What's more, most of the songs fit in with Depeche Mode's key themes of masochism, drugs, decay, disillusion and general perviness.
The problem lies in Gore's lack of emotional and musical range. Fans will take great comfort in the set's familiar moody minor chords, electronic glitches, echoey darkness and Gore's Dave-Gahan-lite vocals. But the end result is a sameness of texture and tempo and songs as originally powerful as "In My Time of Dying" or Cave's "Loverman" just seem to float into the background, deprived of edge and individuality. Still, Gore plays Weill's "Lost in the Stars" piano-and-strings straight, and seekers of tasteful ambience may enjoy the idea of various cult rock, folk and country songs being transformed into Mode-ish mood music. --Garry Mulholland
CD Description
Debut solo album from Depeche Mode guitarist and follow-up to his 1989 EP 'Counterfeit'. Features a selection of radically reworked cover versions of some of Gore's favourite songs by artists such as Lou Reed, Iggy Pop, Nick Cave, Kurt Weill, Brian Eno, John Lennon and even David Essex. Moody, narcotic and sleekly electronic, this is a step sideways, but not entirely away, from Gore's work in his day job.