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Monday at the Hug & Pint
 
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Monday at the Hug & Pint

~ Arab Strap
4.5 out of 5 stars See all reviews (6 customer reviews)
Price: £7.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Monday at the Hug & Pint + The Last Romance + Philophobia
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  • This item: Monday at the Hug & Pint ~ Arab Strap

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    Dispatched from and sold by Amazon.co.uk.
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  • The Last Romance ~ Arab Strap

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  • Philophobia ~ Arab Strap

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Product details

  • Audio CD (21 April 2003)
  • Number of Discs: 1
  • Label: Chemikal Underground
  • ASIN: B00008PRQY
  • Other Editions: Audio CD  |  Vinyl
  • Average Customer Review: 4.5 out of 5 stars See all reviews (6 customer reviews)
  • Amazon.co.uk Sales Rank: 102,064 in Music (See Bestsellers in Music)

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Track Listings

1. The Shy Retirer
2. Meanwhile, At The Bar, A Drunkard Muses
3. Fucking Little Bastards
4. Peep Peep
5. Flirt
6. Who named the Days?
7. Loch Leven Intro
8. Loch Leven
9. Glue
10. Act Of War
11. Serenade
12. The Week Never Starts Round Here
13. Pica Luna

Product Description

Amazon.co.uk Review
Habitually described as groggy, beer-stained romantics, Falkirk's Arab Strap seem unusually happy with the stereotype. Hence Monday at the Hug & Pint, their fifth album, is a concept of album of sorts, a selection of songs about love and alcohol and related miseries apparently beamed direct from a pub, The Hug & Pint. The second track is called, with the Strap's usual eloquent precision, Meanwhile, at the Bar, a Drunkard Muses. Subverting expectations is less important, it appears, than drinking themselves into a corner.

It's a curious thing to do, especially when Aidan Moffat and Malcolm Middleton's last album, 2001's emotionally expansive The Red Thread, transcended such parochialism. ...The Hug & Pintis a murky, if often engaging, retrenchment. Bagpipes swirl forlornly, drum machines splutter, string sections bring the usual illusion of gentility. Moffat's familiarly surly, heartsick mutter, meanwhile, goes on cataloguing his own iniquities long into the night.

That lyrical insight and Middleton's empathetic music ensure the likes of "Who Named the Days?" are still compelling, in spite of the deja vu their wobbly tenderness evokes. If, at times, ...The Hug & Pint staggers perilously close to self-parody, there's something noble and doomed here, too: a pinched, beguiling aesthetic vision being pursued until time is finally called. --John Mulvey

CD Description
Fifth full-length studio album from Scottish slowcore miserablists follows 2001's 'The Red Thread'. More musically diverse than anything they have previously produced, 'Monday...'combines dance, folk, indie rock, cabaret and chamber musicwith the usual tragi-comic tales of bitter romanticism and emotional trauma. Features guest appearances by Bill Wells, Mogwai's Barry Burns and Conor Oberst from Bright Eyes.

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Customer Reviews

6 Reviews
5 star:
 (4)
4 star:
 (1)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
9 of 9 people found the following review helpful:
5.0 out of 5 stars Meanwhile, at the bar, a drunkard reviews..., 20 April 2003
By G. J. Weaver "elweaverino" (Chester, UK) - See all my reviews
(REAL NAME)      
"Monday at the Hug and Pint" is arguably Arab Strap's best album to date. It combines the lo-fi eclecticism of their first album, with the great sonic leaps forward made on their last long player "The Red Thread". Both permanent members of the band, Aidan Moffat and Malcolm Middleton, have released solo albums since "The Red Thread", and the time apart to stretch and experiment has obviously done them some good. The song "The Week Never Starts Around Here" is very reminiscient of the stuff on Malcolm's superb album "5:14.....", and that's no bad thing.

There is also the addition of a string section on a lot of the tracks here, which lifts the proceedings onto another level entirely.

As always, the lyrics have the usual grim humour about them. The opening track "The Shy Retirer" begins like a cheesy dance track, but switches into a scathing description of the monotony of the average weekend. "Another bloated disco", moans Aidan, "another sniff of romance I'll forget." Other stand out tracks include the soporific waltz "Who named the days?", and bagpipe layered folkie "Loch Leven".

The Strap's philosophy seems to be that if we are all in the gutter, then lets get hammered, talk about girls and give the v's behind the back of anyone poncing around staring at the stars. And, y'know, it makes such perfect sense.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars Swirling low-fi brilliance, 29 Feb 2004
The latent beauty of this album is locked underneath some magnificent production and subtle licks and trails, it winds on endlessly and can only really be properly listened to in the dark early hours of the morning after some nice central nervous system therapy if you get my drift. Everything gels so perfectly that I wouldnt be overstating calling this a work of genius. More eclectic than elephant shoe, even though I do prefer that album for different reasons, its secrets will be a permanent and potent fuel to my imagination like few others can touch.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Sad brilliance, 11 Nov 2006
By G. Munday "www.myspace.com/garymunday" (London, UK) - See all my reviews
(REAL NAME)   
Slurrings heavily laced with a Scottish tongue and more swearwords than expected for tunes involving string accompaniments and acoustic guitars (`Fucking Little Bastards' or lyrics like "so come on darling, break my heart// mess me about then shag all my friends" speak volumes, don't they?), there is something unnervingly brilliant about Arab Strap.

There is a backbone that is full of stored venom and released in such a delicate and saddening way that contributes to the whole release being memorable - and somewhere in all this, there is a bitter influence from drink, making it a devastating masterpiece. If this is the result of going to the Hug & Pint on a Monday, then thank their aching hearts that Arab Strap attended - you can certainly hear the drink talking at points.

And as well as this, there is a delicate underside, best exemplified by the tortured string arrangements with expressive lyrics like: `If your hair was a call to arms/ And your legs were what skirts are for/ Then your mouth was a red alert/ But your eyes were an act of war'.

All work projects a message: this is what comes natural and has been intensely nurtured. Sure, this could be said for many an album, but this is so prominent that it brings an authenticity to the tracks and a genuine guarantee that Scottish heart and soul is in there somewhere.
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Most Recent Customer Reviews

3.0 out of 5 stars Re: nice little number
Well I've absolutely no idea what our Estonian friend was on about, but hey, maybe it was Moffat in disguise? Monday... Read more
Published on 12 May 2003 by Andrew Hooker

5.0 out of 5 stars SOMETIMES YES, SOMETIMES NO
The first album, referenced here on the song title was good. Philophobia was good too. By the time it came to Elephant Shoe I wasn't so bothered until I heard 1471. Classic. Read more
Published on 5 May 2003

4.0 out of 5 stars Act Of Amen
Anno Domini 2003. Once again I recall something that has melted away long time ago. Days are passing by, they never end. Read more
Published on 29 April 2003 by codewalker

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What Do Customers Ultimately Buy After Viewing This Item?

Monday at the Hug & Pint
70% buy the item featured on this page:
Monday at the Hug & Pint 4.5 out of 5 stars (6)
£7.98
The week never starts round here
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The week never starts round here 4.7 out of 5 stars (3)
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Philophobia
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Philophobia 4.5 out of 5 stars (4)
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The Last Romance
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