Amazon.co.uk Review
AC/DC's fourth album is the lull after the triumph of
Let There Be Rock and before the mighty peaks of
If You Want Blood You've Got It and
Highway To Hell.
Powerage contains all the familiar AC/DC trademarks: Bon Scott's rather less than Yeatsian lyrical vision ("Rock & Roll Damnation", "Up To My Neck In You"), Angus Young's brilliantly minimal guitar playing, a rhythm section as relentless and efficient as an infantry regiment, and the astute production of former Easybeats Harry Vanda and George Young. However, it lacks a truly transcendent moment, a "Whole lotta Rosie" or a "TNT". Of course, even an average AC/DC album is still an eloquent lesson in the fundamentals of rock & roll, and by that token
Powerage is still capable of blowing most opposition out of the water. Bon Scott's exultant declaration of working-class solidarity, "Riff raff", is worth six Bon Jovi albums on its own.
--Andrew Mueller
CD Description
With AC/DC's third release, POWERAGE, the band was dispensing even heftier ammo from their hook-laden cartridge belt. With the rock-steady rhythm section pounding out 4/4 beats asif it were overtaking a small country, guitarists (and brothers) Angus and Malcolm Young trade towering riffs that belie their pint-sized physical stature. The real change on POWERAGE is a noted improvement in songwriting skill. The six-minute "Down Payment Blues" actually has a sense of restraint and building tension, as opposed to the band's usual hit-the-ground running approach.
"Sin City", an ode to Las Vegas, features the band's most colourful lyrics (that don't haveto do with bathroom humour, that is) and again displays a dynamic variety not previously heard from the Aussie rockers.The more familiar pounders, "Rock 'n Roll Damnation", "RiffRaff", and "What's Next to the Moon" are tighter, focused bursts of energy that point towards the total mastery of the form the band would display on its next release, HIGHWAY TO HELL.