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Elephant
 
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Elephant
~ The White Stripes (Artist)
4.5 out of 5 stars 143 customer reviews (143 customer reviews)
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Track Listings
1. Seven Nation Army
2. Black Math
3. There's No Home For You Here
4. I Just Don't Know What To Do With Myself
5. In The Cold Cold Night
6. I Want To Be The Boy To Warm Your Mother's Heart
7. You've Got Her In Your Pocket
8. Ball And Biscuit
9. Hardest Button To Button
10. Little Acorns
11. Hypnotise
12. Air Near My Fingers
13. Girl You Have No Faith In Medicine
14. Well It's True That We Love One Another

Product Description
Amazon.co.uk Review
Jokingly referred to as the White Stripes' "British" album, Elephant is scattered with little cultural references that give away the fact it was recorded far from the duo's US home--just listen to the lyrics on "Seven Nation Army" ("..from the Queen of England to the hounds of Hell") or the album outro where someone chips in "jolly good, cup of tea?". But although there are some new twists here, from Meg discovering her voice to a tongue-in-cheek threesome with Holly Golightly, Elephant is no great departure; more a culmination of their preceding albums. Meg and Jack push their creativity (and the boundaries of their eight track) to new heights for the startling, Queen-inspired "There's No Home for You Here" while the (pedal-induced) deep bassline on "Seven Nation Army" is a classic indie dancefloor filler. But although some songs fly off into new realms there's plenty of that straight-up bluesy rock that makes the duo such an amazing prospect live--just listen to the sweat dripping off the overtly sexual "Ball and Biscuit". And amid all this there's that plaintive, resolutely unegotistical and yet theatrical voice that makes them so unique; when Jack cries out on "I Just Don't Know What to Do with Myself" there's a dark desperation Bacharach and David certainly didn't put there. --Caroline Butler

Description
Fourth album from Detroit duo The White Stripes and the follow up to their critically acclaimed and commercially successful LP 'White Blood Cells', which was released in 2001. A fusion of garage-rock, folk-blues, country and 60's Britpop. Drummer Meg White lends her vocal skills on the track 'In The Cold Cold Night' and Holly Golightly makes a guest appearance on the album.

 
Customer Reviews
143 Reviews
5 star: 68%  (98)
4 star: 20%  (30)
3 star: 3%  (5)
2 star: 4%  (6)
1 star: 2%  (4)
 
 
 
 
 
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Most Helpful Customer Reviews

 
28 of 29 people found the following review helpful:
5.0 out of 5 stars breathtaking, 14 April 2003
After three albums you wonder exactly what a guitarist and a drummer can do to keep things moving forward whilst maintaining the brilliance of previous efforts. The fact that creatively they have moved forward and musically they have exceeded any hopes I had of their forth album just shows how special The White Stripes really are.

Elephant IS quite simply one of the finest records you will hear this year. As if Jack's heart was actually plugged into the amp it will take on a roller coaster journey that will leave you exhausted at the end. We are taken back to the rawer guitar sound of De Stijl and with a number of tracks like Ball & Biscuit, Black Math and Girl You Have No Faith In Medicine rocking some amazing guitar work you can see that Jack is really having some fun on this record. The Stripes seem to be enjoying their new found fame rather than resenting it and with Elephant you can see how it's paid off. It is such an accomplished album that will be throttling your stereo all summer.

Elephant proves beyond any doubt that The White Stripes are in a league of their own. All the hype and all the praise wouldn't be enough to describe how important this band are to music. God bless the drums, god bless the guitar, god bless The White Stripes.

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24 of 25 people found the following review helpful:
5.0 out of 5 stars One Of 2003's Top Albums, 31 Jul 2004
By The Nocturnal Aerial™ (Leeds, England) - See all my reviews
(TOP 100 REVIEWER)   
2003 was the rock year for the White Stripes. They were the band, not Evanescence. The release of their "White Blood Cells" album had made Jack and Meg White rock idols for a generation and pushed them to the forefront of modern rock. So it was with the release of their latest album, "Elephant," that they downplayed its release as much as possible. Typically, things didn't quite go their way. Elephant was released in March 2003 amongst a wave of rave reviews and critical acclaim and grabbed the No.1 spot in the UK. The album was an international bestseller and sold millions worldwide bringing in a completely new fanbase.

The now anthemic "Seven Nation Army" starts off the album in grand style, and was one of 2003's best songs. It was the song that sparked major interest from myself in this 'cool' band, because the bass is not only so damn catchy, but it just wedges itself into your brain until you'll be humming it for weeks on end. Don't even get me started on the video - nothing short of a masterpiece. "Black Math" opens with a manic bass that completely assaults your ears. Screaming vocals and a catchy beat make this song superb, along with the kind of lyrics that look ridiculous written on paper but then sound as cool as hell when heard. "There's No Home For You Here" is a song that people seem to dislike quite a lot, but I'm quite fond of it. A clear homage to Queen paves the way with a blaringingly blinding chorus and contrasting, subdued verses with the cruel, albeit amusing, lyrics...How cool is that? I think very!

"I Just Don't Know What To Do With Myself" was the second single from the album and had a hot video to counter it! Jack takes this Burt Bacharach composition and makes it completely retro. He means what he's singing, almost in a stalker-ish way. With "In The Cold, Cold Night," Meg responds to this - yeah, she's saying you're a complete nut job, but she's gonna love you anyway. "I Want To Be The Boy To Warm Your Mother's Heart" sees Jack madly in love and willing to do anything to capture her attention, while "You've Got Her In Your Pocket" sees him display a very cute and inexperienced vocal technique, which stutters at the very end. "Ball And Biscuit" is the album's masterpiece at over seven minutes long. He redefines sex and rock and roll with this brilliant piece as he slurs lasciviously, "Let's have a ball and a biscuit sugar."

"The Hardest Button To Button" starts off with a fantastic beat and some really brilliant lyrics. The beat continues all the way through and the chorus is just inspirational. And the video? You'll be seeing drum kits in your sleep! "Little Acorns" begins with a stereotypical American radio broadcaster (Mort Crim) talking about squirrels and a woman as a corny intro plays in the background. The song then starts with a brilliant beat and some great lyrics, "Take all your problems and rip 'em apart." Fantastic track. "Hypnotize" starts off very much like Black Math with a raging mass of sound and some screechy vocals. Jack wants to hypnotize us, baby, on the telephone. Sounds dumb. It isn't. He sings with confidence, yet with a sense of apprehension, "I want to hold your little hand, if I can be so bold."

It doesn't even last two minutes before the next track, "The Air Near My Fingers," comes blaring in. The lyrics are genius and I love his attitude on this track. The beat sways and his voice is particularly interesting...Up next is "Girl, You Have No Faith In Medicine" is one of my favourites on the album. The beat is storming and I love Jack's screechy vocals. The chorus is totally catchy in its glorious splendour. I love the verses, where the beat stops and he sings with such gusto...Love it man! The album closes with "Well It's True That We Love One Another," a fantastic and very funny vocal threesome between brother, sister and Miss Holly Golightly. The song has such a British 60's feel and is a perfect way to end the album.

OVERALL GRADE: 10/10

I don't want to sound like one of those cling-ons that goes along with whatever is going down a storm and considered cool at the time, but if something's causing the feathers to ruffle amongst music industry critics, why not investigate? This is what I did with the White Stripes, and there's no denying that Elephant is a masterpiece of gargantuan proportions. At first I wasn't so sure, but you have to take a deeper listen and put yourself back in time about forty years to experience this in its glory. The bold statement at the back on the inlay "No computers were used during the writing, recording, mixing or mastering of this record" is a testament to this. I look forward to see what the White Stripes have to offer in future. Give this a go, it's worth it in the end.