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Track Listings
| 1. Something In The Way She Moves |
| 2. Sweet Baby James |
| 3. Fire And Rain |
| 4. Country Road |
| 5. You've Got A Friend |
| 6. You Can Close Your Eyes |
| 7. Long Ago And Far Away |
| 8. Don't Let Me Be Lonely Tonight |
| 9. Walking Man |
| 10. How Sweet It Is (To Be Loved By You) |
| 11. Mexico |
| 12. Shower The People |
| 13. Golden Moments |
| 14. Steamroller |
| 15. Carolina In My Mind |
| 16. Handy Man |
| 17. Your Smiling Face |
| 18. Up On The Roof |
| 19. Only A Dream In Rio |
| 20. Bittersweet |
Product Description
Amazon.co.uk Review
Any good singer can interpret a song, but it takes a stylist to make it his own. James Taylor is a stylist. You've Got a Friend obviously can't chronicle much more than the hits and high points of Taylor's career, but it nonetheless captures the artistic essence of a performer who's become a virtual synonym for "singer-songwriter" since his emergence in the late 1960s. A lot of ink has been spilled ruminating about Taylor's role in soothing a 60s-burned generation, but given his own well-known demons (depression, addiction) his gentle voice often sounds like the physician wisely healing himself. His muse seems fully formed from the opening "Something in the Way She Moves", a track cut for the Beatles' Apple label in late 1968 (and one that seems to share some symbiotic relationship with George Harrison's own classic "Something" from the period), its tone at once familiar and inviting--if ripe for a few decades of parody--as it wends its way from his seminal early-1970s hits through a slate of later originals, R&B ("How Sweet It Is", "Handy Man") and pop ("Up on the Roof") covers. Tellingly, he delivers those chestnuts with an offhand confidence and illumination that makes them his own, a sense that informs even his jazz and Brazilian ("Only a Dream a Rio") flirtations. The set's newly recorded bonus cut, John Sheldon's "Bittersweet", is a pleasant pop confection that showcases Taylor's knack for being laconic and upbeat in the same breath. --Jerry McCulley
Any good singer can interpret a song, but it takes a stylist to make it his own. James Taylor is a stylist. You've Got a Friend obviously can't chronicle much more than the hits and high points of Taylor's career, but it nonetheless captures the artistic essence of a performer who's become a virtual synonym for "singer-songwriter" since his emergence in the late 1960s. A lot of ink has been spilled ruminating about Taylor's role in soothing a 60s-burned generation, but given his own well-known demons (depression, addiction) his gentle voice often sounds like the physician wisely healing himself. His muse seems fully formed from the opening "Something in the Way She Moves", a track cut for the Beatles' Apple label in late 1968 (and one that seems to share some symbiotic relationship with George Harrison's own classic "Something" from the period), its tone at once familiar and inviting--if ripe for a few decades of parody--as it wends its way from his seminal early-1970s hits through a slate of later originals, R&B ("How Sweet It Is", "Handy Man") and pop ("Up on the Roof") covers. Tellingly, he delivers those chestnuts with an offhand confidence and illumination that makes them his own, a sense that informs even his jazz and Brazilian ("Only a Dream a Rio") flirtations. The set's newly recorded bonus cut, John Sheldon's "Bittersweet", is a pleasant pop confection that showcases Taylor's knack for being laconic and upbeat in the same breath. --Jerry McCulley
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What Do Customers Ultimately Buy After Viewing This Item?
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78% buy the item featured on this page: You've Got A Friend: The Best Of James Taylor £9.98 |
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8% buy James Taylor: Greatest Hits £4.98 |
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6% buy The Very Best Of Cat Stevens £6.07 |
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5% buy Covers (UK Bonus Version) £11.98 |
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