Amazon.co.uk Review
How does
Light & Magic follow a record like
604?--On their last album, arch synth-popsters Ladytron were early if unwilling exponents of the sound now known as electroclash. Scene luminary Felix Da Housecat declared it the best electronic record he'd heard since The Human League's
Dare and it certainly shared something of the same tuneful naivety. But where now for these silicon teens? Back to where they started it seems, because for all intents and purposes things remain fairly static on the musical front and there's little sign of progression in the songwriting. Keen to push their under-produced drone of buzzing analogue keyboards, biscuit-tin drum machines and "foreign spy" vocals to the max, the band unfortunately forgot to add any tunes. Sometimes its works, like the cute and eminently likable "Seventeen", but for every sequenced rumble passing itself off as retro Eurotrash there are too many motorik dirges to deal with, plus the sort of half-formed melodies no amount of ironic backing vocals can hide. Shame. --
Paul Tierney
CD Description
Second album from this quartet based in Liverpool and Oxford. Named after a Brian Eno era Roxy Music track, Ladytron revive the sounds of the pioneering days of electronic music influenced by The Normal, Kraftwerk and even Gary Numan. Includes the single 'Seventeen'.