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Birmingham-based Pram are experimenting with ever more fragmented samples, to the extent where it would be fruitless to waste time finding the seams between loops and real-time instrumentation. Rosie Cuckston's forlorn vocals seem to be steeped in amniotic nostalgia, her voice and keyboard providing the central line of each song, around which Pram's instrumental finery is displayed. Her titles aptly describe the album's lingering aura: "Peepshow", "Sirocco", "Distant Islands". There are some particularly strong contributions from guitar and trumpet, merging twangy reverb licks with jaunty tongue pecks. It's as if film composer Ennio Morricone had become obsessed with the vibrations of playful South American exotica. Actually, Pram's trademark sound has been refined to the point where it's hard to name-check specific influences. Their bonding of kitsch remnants and disguised technology lends a timeless, borderless shimmer to their romantic odyssey. --Martin Longley
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