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Beijing Bicycle [2002] [DVD]
 
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Beijing Bicycle [2002] [DVD]

DVD ~ Lin Cui
3.6 out of 5 stars See all reviews (5 customer reviews)
RRP: £19.99
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What Do Customers Ultimately Buy After Viewing This Item?

Beijing Bicycle [2002] [DVD]
29% buy the item featured on this page:
Beijing Bicycle [2002] [DVD] 3.6 out of 5 stars (5)
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Product details

  • Actors: Lin Cui, Xun Zhou, Bin Li, Yuanyuan Gao, Shuang Li
  • Directors: Xiaoshuai Wang
  • Writers: Xiaoshuai Wang, Danian Tang, Hsiao-ming Hsu, Peggy Chiao
  • Producers: Anne Devauchelle, Dong-ming Shi, Eric Lagesse
  • Format: Anamorphic, PAL
  • Language Mandarin Chinese
  • Subtitles: English
  • Region: All Regions
  • Number of discs: 1
  • Classification: PG
  • Studio: Palisades Tartan
  • DVD Release Date: 18 Nov 2002
  • Run Time: 105 minutes
  • Average Customer Review: 3.6 out of 5 stars See all reviews (5 customer reviews)
  • ASIN: B00006SKWT
  • Amazon.co.uk Sales Rank: 16,688 in DVD (See Bestsellers in DVD)

Reviews

Amazon.co.uk Review
Beijing Bicycle kicks off like an updated Chinese reworking of the 1948 Italian neo-realist classic Bicycle Thieves: a worker, dependent on his bike for his job, has it stolen and doggedly sets out to get it back. But pretty soon Wang Xiaoshuai's film mutates into something more elemental: a battle of wills between peasant lad Guei, original owner of the bike, and Jian, a surly urban schoolkid who claims to have bought it second-hand. For both the bike is status: for Guei it secures him his job as a courier, while for Jian it lets him keep up with his peers and chat up the girl he fancies. Each sees himself as the rightful owner and neither will give way, so the bike swaps hands back and forth, stolen and re-stolen, as the duel waxes increasingly personal.

There's a diverting subplot about a beautiful, stylishly dressed girl glimpsed by Guei who turns out be something other than she seems, but essentially the battle over the bike is the meat of the film. The fascination of Beijing Bicycle--perhaps especially for non-Chinese viewers--is its portrait of present-day Beijing as a buzzing, high-pressure, neo-capitalist boomtown, impersonal and seemingly as lawless as any Wild West frontier burg. At no point, in all the thefts and counter-thefts and mounting violence, does anyone think to call the police--everyone is left to fight his own battles. Wang, one can't help suspecting, is slipping in a hint of social criticism in this vision of an uncaring society where possessions are all that matter.

On the DVD: Beijing Bicycle on disc has the original theatrical trailer (the French version, oddly enough), filmographies for the director and four of his lead actors, notes on the film by Nick Bradshaw and trailers for other Metro Tartan foreign-language DVD releases. The transfer's in the full anamorphic widescreen of the original, with good Dolby Digital sound. --Philip Kemp

Video Description
DVD Special Features:

English
Scene selection
Bibliographies
Original trailer


See all Reviews


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Customer Reviews

5 Reviews
5 star:
 (1)
4 star:
 (2)
3 star:
 (1)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
4 of 4 people found the following review helpful:
4.0 out of 5 stars A DEEP HUMAN ODDYSSEY, 7 Nov 2007
By stuart "s.vernon" (MIDDLESBROUGH, ENGLAND) - See all my reviews
(TOP 100 REVIEWER)   
Beijing Bicycle by Sixth Generation director Wang Xiaoshuai is an unsettling look at modern China in transition that depicts the relationship between two young men of different social status, both yearning for acceptance and stubbornly determined to succeed. Guei (Cui Lin) is an unexpressive working class 17-year old who has come to Beijing to find work, while Jian (Li Bin), is a sophisticated middle-class student, desperate to belong, seeking approval from his biker friends and his beautiful girlfriend Gin (Zhao Yiwel). The film explores the consequences when Guei's bicycle is stolen and ends up in Jian's hands. The bicycle represents an escape for both from the competitive pressures of their lives. For Guei, it is a means of access to a job, an income, and survival. For Jian, it is the pathway to being "cool" and being in the in-group, much like what the flashy sports car represents to young men in Western countries.

As the film opens, a group of boys are being interviewed for a job as a courier. Enticed by the prospect of owning a silver mountain bike, Guei takes the job and begins to save money to buy the bike, given to him as a loan (the bike is his once he has earned 700 yuan, which is about $85). Out of his element in the bewildering city, Guei runs into an awkward situation almost immediately when he makes a delivery in a luxury hotel and is directed to the gym where he is forced to strip for a shower before he can deliver his package. He is then asked to pay for the shower when he leaves but does not have enough money. When his bike is stolen just one day before he can become the owner, Guei's job is threatened.

Xie Jian as Guei's manager is both abrasive and compassionate and offers to take Guei back to work if he can find his bike. In a city where bicycles are still the most common means of transportation, against all odds he sets out to find it. The film is about the bicycle but is also about the city of Beijing. Guei's search for the bicycle takes him into all corners of the city. With an original score by Felix Wang and magnificent cinematography by Jie Liu, the city comes alive with streets littered with traffic juxtaposed with mysterious alleys where old men play board games or do Tai Chi. Wang adds the little touches as well such as two friends sharing a toothbrush and a single spigot of water in an alley serving an entire neighborhood.

Like De Sica's The Bicycle Thief, the stolen bicycle is central to the story, but here it is not about the hunt but about the consequences that follow from its recovery. When the student Jian is found with the bike, both he and Guei assert ownership and the bike is stolen and reclaimed by both boys several times, each time ending in a scuffle with Jian's friends. In a powerful confrontation with his father, Jian, in a rage against his father for reneging on his promise to buy him a bike, finally admits to stealing his father's money to purchase the bike himself at the flea market after it was fenced. The two boys are pitted against each other but mutual need brings them together and allows them to work out a compromise by alternating the days when each can use the bike. Eventually a serious confrontation takes place that escalates into a startling conclusion.

Beijing Bicycle is a deeply human odyssey that, while somewhat repetitive, never loses its rhythm. Though there is little dialogue and the characters communicate mostly with body language, long silences, and facial expressions, the actors perform their roles with astonishing authenticity. Parts of the film are emotionally upsetting, but there is also a sweet innocence at play. Jian acts like a typical adolescent-surly, angry with his parents, shy with girls, audacious and impetuous one minute, and then needy and contrite the next. In one of the concluding scenes, as a group of punks chase two boys through a an older section of Beijing; one says to the other, "What are you doing? This doesn't concern you." The other replies, "I don't know my way out." In today's new China, caught between the traditions of an ancient culture and the new urban reality, young people are having trouble finding their way out.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars great cinema, 2 Dec 2004
By A Customer
This is a very well made, insightful film. Although not without some flaws, this easily outshines some better known films from this region.

Well-paced, great photography, pure cinema.

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15 of 18 people found the following review helpful:
5.0 out of 5 stars the most promising film to come out of the PRC for a while., 21 May 2003
Beijing Bicycle is one of the finest films to come out of mainland China for a while. Maybe its not as technically and artistically flawless as many 5th generation films, like 'red lantern' or 'farewell my concubine', but its an undeniably charming and beautiful fairytale, with deep-rooted moral grounding, that will enchant everyone. Zhou Xun is fantastic, as always, and newcomer Li Bin gives an extraordinary performance. Beijing Bicycle proves that there's a bright future for the 6th generation, who thankfully refrain from directing everything at critisising the government and concentrate on pure cinema, and it will be a flagship of its genre.
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Most Recent Customer Reviews

2.0 out of 5 stars Almost too painful to watch !!!
I really hope that this film doesn't represent Chinese society at the moment. We are presented with too many uncaring folks who sit by and watch as teenagers are beyond cruel and... Read more
Published on 3 May 2007 by J. Collins

3.0 out of 5 stars Hard to fathom, a little dull
Although an admirer of Asian cinema (particularly Korean), to be honest I didn't really understand this film. Read more
Published on 22 Jan 2006 by J. A. Garlick

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