~ Everything But the Girl
|
~ Everything But the Girl
|
~ Everything But the Girl
|
~ Everything But the Girl
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~ Everything But the Girl
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We may know that they began as lefty student bossa nova interpreters, grabbed unlikely success as Sade-for-bedsits with 1984's "Each and Every One" single and 1988's Idlewild album, and went successfully house and drum & bass with "Missing" and Walking Wounded in the mid-1990s.
What we perhaps missed is how subtly and powerfully they've developed their style, how even the most MOR moments have contained some kind of edge--a vocal yearning here, a rhythmic muscularity there. Thorn's lyrics are a particular revelation--defiant, angry, funny and true--and her moving expression of sisterly love on "Protection" sounds more at home here than on the Massive Attack album of the same name. In short, this is a deep and entertaining pop record that shows exactly why they've survived and thrived for so long. --Garry Mulholland
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