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Italian For Beginners [DVD] [2002]

3.6 out of 5 stars 45 customer reviews

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Product details

  • Actors: Anders W. Berthelsen, Ann Eleonora Jørgensen, Anette Støvelbæk, Peter Gantzler, Lars Kaalund
  • Directors: Lone Scherfig
  • Writers: Lone Scherfig
  • Producers: Gert Duve Skovlund, Ib Tardini, Karen Bentzon, Lars von Trier, Marianne Moritzen
  • Format: PAL
  • Language: Danish, English, Italian
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Twentieth Century Fox
  • DVD Release Date: 31 Mar. 2003
  • Run Time: 107 minutes
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (45 customer reviews)
  • ASIN: B00006JY47
  • Amazon Bestsellers Rank: 35,254 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

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Product Description

Product Description

Lone Scherfig directs this Danish comedy drama starring Anders W. Berthelsen and Anette Stovelbæk. Andreas (Berthelsen) is a young clergyman newly arrived in the city of Copenhagen, who finds himself consistently undermined by Reverend Wredman (Brent Mejding), a man consumed with bitterness at his daughter's suicide. Olympia (Stovelbæk) works at a bakery and cares thanklessly for her ailing and irritable father. Shy concierge Jørgen (Peter Gantzler) is in love with an Italian waitress named Giulia (Sara Indrio Jensen) but doesn't know how to approach her. The abrasive bar manager Hal-Finn (Lars Kaalund), Giulia's boss, is sacked for being difficult with customers and is in the beginning stages of a relationship with a woman dominated by her alcoholic mother. Jørgen becomes determined to learn Italian to be able to speak to Guilia in her native tongue, and drags the lonely Anders along. Finally, Karen (Ann Jorgensen), a hairdresser who is battling with a terminally alcoholic mother also attends, being rather taken with the hotheaded Hal-Finn who is now one of her customers. When the class teacher Marcello (Matteo Valese) suddenly dies of a heart attack, the class is faced with termination. But Hal-Finn, who claims to have learned Italian when Juventus FC visited Copenhagen a few years back, volunteers to take over the class and events in Karen and Olympia's lives soon draw the class ever-closer in strange and unforeseen ways.

From Amazon.co.uk

The winner of a Silver Bear at the Berlin Film Festival, Italian for Beginners is the first film made under the Dogme rules of austerity (no artificial lighting, no extraneous music, no imported props, etc) to be directed by a woman, Danish director Lone Scherfig. It's set in a small Danish town where half-a-dozen awkward misfits (the newly arrived pastor, a recently bereaved hairdresser, an ex-footballer turned abrasive bar manager, a put-upon baker's assistant and so on) are drawn together by the shared activity of an Italian-language evening-class and--yes, you guessed it--start coming out of their shells and finding love.

This is a gentle, good-natured film, full of quirky dialogue and unforced humour. Scherfig derives a good deal of amusement from watching the gloomy, buttoned-up Danes gradually relaxing and expanding under the influence of their improved linguistic skills, and reaching out for happiness. (As usual in North European cinema, Italian equals everything that's spontaneous, life-loving and sexy.) True, the pro-togetherness message is banal, and the whole film's altogether a little too pat, especially in the final neat pairing-off and the way a couple of obstructive parents helpfully contrive to die just when they need to. Still, the freshness of the largely improvised performances, and Scherfig's affectionate regard for her characters, make for a film that's hard to dislike.

On the DVD: Italian for Beginners has no extras except the theatrical trailer. The transfer faithfully reproduces the mainly hand-held, digital video quality of the original. --Philip Kemp

Customer Reviews

Top Customer Reviews

Format: DVD Verified Purchase
This is one of my favourite films of recent years. The characters are all sympathetic and all vulnerable, astray, lost.
They come together in the evening-class Italian lessons, which provide escape and, in a limited way, friendship. It all moves towards a gently joyous ending, but there are hard moments on the way. In places it is very funny, but its dominant characteristic is tenderness of an absolutely unsentimental kind. The dogme approach allows a matter-of-fact understatement which adds to the film's power, and the result is totally compelling.
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As other reviewers have noted, this film was made according to the "Dogme" school which forbears the use of camera trickery and special effects. As a result I found that I focussed more on the acting and became more involved with the characters than one ususally does when watching a DVD. The whole experience was a bit more like going to the theatre than the cinema.

So its just as well that the acting is first class. Particularly noteworthy, for me, were Lars Kaalund who plays Halv-Finn (a troubled hot-tempered waiter with an aptitude for Italian) and Ann Joergensen, who plays Karen, (a lonely hairdresser with a sick but difficult mother).

As for the plot, I agree fully with the other reviewers who point out that towards the end it all gets a little too neat and saccharine. At this point, in my view it becomes less believeable in the light of all that has taken place before. It all starts to go down hill in this regard when the action shifts from Denmark to Venice.

But before that point the story is very well crafted and the various characters all point up different aspects of human relationships which will speak to everyone in their own way. Thus we see difficult relationships between parents and (adult) children (Karen and Olympia), work place relationships (Halv-Finn/Guilia, Halv-Finn/Joergen & Joergen/Giulia) and male friendships (Joergen/Halv-Finn). The latter, to my mind, provides one of the most poignant moments in the film, when Joergen attempts to speak to Halv-Finn about his own impotence.

Being a new Pastor in a difficult semi-rural parish is probably a situation which will resonate less with most people.
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By A Customer on 8 Oct. 2002
Format: DVD
Italian for Beginners is the most recent film in the danish Dogma series. While it retains the seasick camera work, bleak atmosphere and dark, somtimes even morbid sense of humour so typical for the Dogma films, this one is, in its core, full of warmth and humanity. The characters are sensitively and lovingly portrayed, highlighting the dignity of seemingly downbeaten no-hopers. In the blossoming romances there is none of the dull inevitability, so often found in other romance films, but the developing relationships are so closely portrayed that we entirely understand the characters' actions and feelings, unpredictable though they may be at times. Even the smaller characters are superbly acted and come across vividly. Somehow there seem to be no extras in this film. Whoever the camera focuses on, is close, even familiar to the viewer. Despite the apparent focus on romance, the film also deals with difficult parent-child relationships, with friendship, disability, sickness and death. All of these issues are, in keeping with the Dogma tradition, dealt with in an unglossy, stark and very honest manner. Nevertheless, warmth and dignity emerges from even the darkest scenes and one is left with a sense that though life may be cruel at times, it cannot defeat the love people feel for each other. It is certainly an unconventional romance film, but the best I have ever seen.
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We saw this first time round at the cinema and were amazed - a terrific real-life story that makes you laugh and cry in equal measure, made funnier by the tragicomic events that punctuate the film. The acting is also wonderful - a real gem from Denmark. Could watch this over and over. A must if you enjoy bitter-sweet comedy.
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To those who know nothing about "Dogme 95", it is a cinema movement, set by Lars von Trier and Thomas Vinterberg, that was an attempt to encourage filmmakers to get rid of the most artificial aspects of film-making (ex: special effects, lighting effects) and create instead more naturalistic and story-driven movies.
Therefore came the use of hand-held cameras, natural lighting, diegetic music (heard on location), and movies occurring in our time period. Like "the Idiots", whom I loved and which Charlotte Gainsbourg said it was her favorite Trier film, and Festen, which I didn't get to see yet.
Along those movies came another one that had intrigued me. A romantic comedy called Italian for Beginners, which some Amazon Uk Buyers have confused for a Language learning movie due to the inter-title on the British DVD cover. A movie that I heard Lars von trier wasn't too happy with as the ending was not open-ended and that the movie, even under an avant-grade current, seemed more like a classical romantic story. Still, the director, Lone Scherfig, said that she would do the film to her own sensibility, releasing it in 2000 under great reviews and numerous prizes in Berlin and around the world.

The story, set in a Danish town, involves nine people and their personal issues as some, though all eventually, participate in an Italian class that takes a wrong turn as the teacher dies from a sudden heart attack. Therefore the plot tries to deal with grief, death, and loneliness, but through a positive energy; with wonderful actors whose performances are perfect as the story, which might have been banal and redundant under classical film-making, is shot in a realistic style.
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