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The Bitter Tears of Petra Von Kant [DVD] [1972] [Region 1] [US Import] [NTSC]
 
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The Bitter Tears of Petra Von Kant [DVD] [1972] [Region 1] [US Import] [NTSC]

DVD ~ Margit Carstensen
5.0 out of 5 stars  See all reviews (1 customer review)

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Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details). Please expect a delivery time of 5-7 days.


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What Do Customers Ultimately Buy After Viewing This Item?

The Bitter Tears of Petra Von Kant [DVD] [1972] [Region 1] [US Import] [NTSC]
42% buy the item featured on this page:
The Bitter Tears of Petra Von Kant [DVD] [1972] [Region 1] [US Import] [NTSC] 5.0 out of 5 stars (1)
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Product details

  • Actors: Margit Carstensen, Hanna Schygulla, Katrin Schaake, Eva Mattes, Gisela Fackeldey
  • Directors: Rainer Werner Fassbinder
  • Format: Colour, Dolby, DVD-Video, Subtitled, NTSC
  • Language German
  • Subtitles: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Fox Lorber
  • DVD Release Date: 29 Oct 2002
  • Run Time: 124 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: B00006IUHE
  • Amazon.co.uk Sales Rank: 103,781 in DVD (See Bestsellers in DVD)

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Average Customer Review
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7 of 7 people found the following review helpful:
5.0 out of 5 stars deadpan depiction of a fashion desinger's hysteria, 4 Dec 2000
By johnm@widelearning.com (London, England) - See all my reviews
This review is from: The Bitter Tears Of Petra Von Kant [VHS] [1972] (VHS Tape)
A perfectly controlled, deadpan mapping of a lesbian fashion designer's descent into hysteria and self-delusion. The central character is less victim than monster and an icy frisson is added by her keeping of a masochistic slave who cannot tolerate acts of kindness. Dialogue heavy and set in a single room, this is one of cinema's least apolagetic adaptations of a stage play, dividing itself into two neatly contrasting acts and rarely altering the camera angle. Particularly recommended to fans of Warhol's characteristic cocktail of boredom, madness and depravity.
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