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British Light Music Classics 4 (New London Orchestra, Corp)
 
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British Light Music Classics 4 (New London Orchestra, Corp)

~ Various Composers (Artist)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Audio CD (4 Nov 2002)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Hyperion
  • ASIN: B00006GO68
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 108,652 in Music (See Bestsellers in Music)

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1. Marching Strings
2. Jaunting Car
3. High Heels
4. Dance Of An Ostracised Imp
5. Keltic Lament
6. Rhythm On Rails
7. By The Sleepy Lagoon
8. Jamaican Rumba
9. In A Monastery Garden
10. A Quiet Stroll
11. Demoiselle Chic
12. Cavalcade Of Youth
13. Elizabethan Masque
14. Shepherd Fennel's Dance
15. Thrills
16. The Doge's March / Petite Suite De Concert
17. La Caprice De Nanette
18. Demande Et Reponse
19. Un Sonnet D'amour
20. La Tarantelle Fretillante
On this CD:
  1. High heels
    Composed by Trevor Duncan
    Performed by New London Orchestra
    Conducted by Ronald Corp

  2. Marching Strings
    Composed by Ray Martin
    Performed by New London Orchestra
    Conducted by Ronald Corp

  3. (The) Ring of Kerry
    Composed by Peter Hope
    Performed by New London Orchestra
    Conducted by Ronald Corp

  4. Dance of an Ostracised Imp
    Composed by Frederic Curzon
    Performed by New London Orchestra
    Conducted by Ronald Corp

  5. Keltic Suite
    Composed by John Foulds
    Performed by New London Orchestra
    with Michal Kaznowski
    Conducted by Ronald Corp

  6. Rhythm on rails
    Composed by Charles Williams
    Performed by New London Orchestra
    Conducted by Ronald Corp

  7. By the Sleepy Lagoon
    Composed by Eric Coates
    Performed by New London Orchestra
    Conducted by Ronald Corp

  8. Jamaican Rumba
    Composed by Arthur Benjamin
    Performed by New London Orchestra
    Conducted by Ronald Corp

  9. In a Monastery Garden
    Composed by Albert W Ketèlbey
    Performed by New London Orchestra
    Conducted by Ronald Corp

  10. (A) Quiet Stroll
    Composed by Charles Williams
    Performed by New London Orchestra
    Conducted by Ronald Corp

  11. (Two) Parisian Sketches
    Composed by Percy Fletcher
    Performed by New London Orchestra
    Conducted by Ronald Corp

  12. Cavalcade of Youth
    Composed by Jack Beaver
    Performed by New London Orchestra
    Conducted by Ronald Corp

  13. Elizabethan Masque
    Composed by Frederic Bayco
    Performed by New London Orchestra
    with Ruth Scott
    Conducted by Ronald Corp

  14. Shepherd Fennell's Dance
    Composed by Henry Balfour Gardiner
    Performed by New London Orchestra
    Conducted by Ronald Corp

  15. Thrills
    Composed by Charles W. Ancliffe
    Performed by New London Orchestra
    Conducted by Ronald Corp

  16. (The) Merchant of Venice
    Composed by Frederick Rosse
    Performed by New London Orchestra
    Conducted by Ronald Corp

  17. Petite Suite de Concert
    Composed by Samuel Coleridge-Taylor
    Performed by New London Orchestra
    Conducted by Ronald Corp

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Customer Reviews

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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Most Helpful Customer Reviews

 
20 of 21 people found the following review helpful:
5.0 out of 5 stars 78 minutes of quality light entertainment, 3 May 2003
By John Austin "austinjr@bigpond.net.au" (Kangaroo Ground, Australia) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)      
Many record companies are currently reporting great success with issues and reissues of British light music dating from the first half of the twentieth century. This Hyperion issue is the fourth in such a series, and it gets a welcome and a recommendation from me.

Here are 17 items altogether, offering 78 minutes of quality light entertainment, and a hint that the bottom of the barrel has not been reached yet by any means. Of course, Eric Coates and Albert Ketèlbey are represented, and there is the highly distinguished “Petite Suite de Concert” by Samuel Coleridge-Taylor. A favorite of mine, dating from the days of 78s, is the Doge’s March. It also, in more recent years, proved a popular item to include in the repertoire of a school orchestra.

Well-researched liner notes and excellent 2002 recording quality contribute to the value of this top priced issue. If Ronald Corp’s directing were sharper and more characterful, this would have earned five stars. Performances tend to be languorous rather than lithe, refined rather than racy.

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