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13 of 13 people found the following review helpful:
4.0 out of 5 stars
Innovation Is The Key, 15 Oct 2003
There's been a lot of retro lately. Too much if I may say so, some good, mostly though, bad. Re-hashed riffs, ill-advised facial hair, and of course the growing word of the word...'The'. The Strokes, The White Stripes...so you might be fooled into thinking that 4 boys from Leeds who call themselves simply 'The Music', are of a similar variety. Well to a certain extent you would be correct, but to the rest of the extent, you'd be thinking cobblers. There is a distinct retro feel about The Music's self-titled debut, but the difference between The Music and The Who-Gives-A-Toss-It's-Rehashed-Stones-Riffs, is that The Music actually add something different...As someone who's not too much into dance music, or much towards electronica either, I was quite pleasantly surprised by this album, for its sheer experimentalism, into combining fine rock with good riffs and hooks, with dance music with terrific beats and making the word 'dance' be acceptable in the same sentence as 'music'. This is indeed a much coveted and widely failed genre, if you will, to try to actually penetrate, as the only bands who have done it fairly successfully are Primal Scream, and Jane's Addiction, who you have to say The Music do have more than a passing resemblance to, particularly in the vocal department; a cross between Led Zeppelin's charismatic Robert Plant, and more so Jane's Addiction's even more charismatic front man Perry Farrell, who is also a big fan of the band. Indeed I am sure that many Jane's Addiction fans would actually like The Music's debut, particularly tracks such as 'Take The Long Road And Walk It', the terrific, 'Human', the rousing single, 'The Truth Is No Words', the chanting 'The People' and a mass assortment of others. But this album really does that most coveted of all music, by combining dance with rock, and making it work and work well. You could even call The Music progressive, the genre is that wide open on them. Despite this bouncy attitude throughout, they know when to stop for a minute or two on the final track, 'Too High' which is a fine slower piece, proving that behind those layered dance beats, synthesisers and God knows what else, there really is a fine band, that at times is unfortunately covered up. If you listen hard enough, you can hear some absolute gems of riffery, which is then ironically contradicted, when what in my opinion is the best track on the album, 'Getaway' kicks in, with absolutely massive beats, electronica, huge guitars, soaring vocals and is simply irresistible, whether you like rock or dance, it's certainly a floor-filler. They certainly don't scrimp on quality at all either, you can tell that these are certainly talented musicians, and have taken their time. As you weave through, catchy melodies, high pitched vocals, textured beats and layered guitars, you'll see why, particularly on the singles released from this, still the bands debut. And for a debut, this is quite simply astounding and contains top quality music made by top quality musicians who have actually cared to put out a good record. I'd much prefer this over a rehash any day, because at least The Music add their own sense of originality to the mix, and that's something that a lot of bands seem to distinctly miss. They wouldn't call themselves 'The Music' if they weren't different or didn't deserve such a moniker now, would they? 4 Stars.
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