It may have a Spielbergian running time (two hours and 20 minutes) and boast big stars usually found only in thumping epics, but it's basically a breezy character piece with tactful shots of melancholy amid the high-flying, no-harm-done criminality. DiCaprio does his best screen work as the compulsive impersonator, turning his rather vague presence to his advantage as he slips into his various roles, and the typical Spielberg fathers-and-sons theme is delicately played in the kid's scenes with his real (Christopher Walken) and surrogate dads. It's a pleasure to find that Spielberg can play it light without sacrificing depth. Set in the pastel 1960s, with James Bond and vintage Flash comics for context, the film has smart patter, a terrific mod-look credits animation and John Williams' most finger-snappin' score in decades. --Kim Newman

Synopsis
Steven Spielberg's adaptation of Frank W. Abagnale's autobiography CATCH ME IF YOU CAN follows the cat-and-mouse chase of Abagnale (Leonardo DiCaprio) and FBI agent Carl Hanratty (Tom Hanks) as Abagnale travels the world passing forged checks and assuming false identities. Covering the time period from 1963-69, the film leaps from the suburbs of New York to Georgia, Louisiana, Miami, France, and the skies of Pan American airlines with Abagnale, who passes himself off as a pilot, doctor, lawyer, and socialite while constantly frustrating Hanratty's attempts to nab the increasingly cunning forger. CATCH ME IF YOU CAN finds Spielberg drawing on the father-son relationship that develops between Abagnale and Hanratty, filling a void left in the lives of each man: Abagnale's strained relationship with his tax-cheat father (Christopher Walken) and Hanratty's never-seen family left behind in the wake of a divorce. As Hanratty pursues Abagnale, their mutual admiration and respect grows, and finally they even come to rely on each other.