Road to Perdition [2002] [DVD]

The cinematography and music add an extra depth of atmosphere to an already chilling environment. The use of shadow at key moments highlights the distance between good and evil and how we all veer from one to the other at some stage in our lives. Musical dynamics ensure tension as the audience becomes fearful of a shock around the next corner. Sometimes we may become lulled into a false sense of security by the seemingly calm surroundings, but in a film such as this, calmness can only ever be a deception.

This is certainly a film to be watched more than once. There is so much imagery to be dwelt upon and character development to be considered, that it will be necessary to buy the DVD as soon as it is released!

Conrad L. Hall, to whom the film is dedicated, uses photography to its fullest advantage, winning a posthumous Academy Award for his cinematography. Shot in winter, the film preserves the flavor of early black and white films, with sharp, black and white contrasts, and the use of dark, somber colors, when colors are used at all. Snow, ice, rain, and fog perpetuate the cold darkness of the scenes, and Hall's use of architectural framing is stunning, particularly his repeated use of windows. He keeps the scenes simple, often focusing on individual characters in contexts which reveal their emotional states. In one memorable scene, for example, light from a streetlight outside a window casts the shadow of rain on an interior wall, suggesting both tears and cleansing.

Newman is terrific as an aging mob boss, playing his part with just the right mix of frailty and cruelty (for which he won the Academy Award as Best Supporting Actor). Tyler Hoechlin, as 12-year-old Mike, Jr., reveals his fears and vulnerabilities at the same time that he shows his satisfaction as the center of his father's attention (winning Best Young Actor from the Broadcast Film Critics Association). Jude Law, made up to look like a true, wild-eyed psychopath, is terrifying. Hanks looks menacing and acts viciously until his concern for his son overtakes all other emotions in a moving, climactic scene, though it is difficult to accept him in the role of a hitman. Period music adds style to the film, and original music by Thomas Newman (and the title song by John Williams), mostly piano and strings, preserves the period tone. Filled with the horror of violence and considerable suspense, this noir film gives a human face to mob violence in the thirties.

It has a few shocks that many main stream films would not put in your 'feel good' action/thriller movie. The crux of the plot is a young boy's realisation that his respected but somewhat distant father is a highly placed mob gunman.

Key moments of violence are portrayed less as gung-ho but in a more with world weary, down beat style. One act of revenge is particularly surprising in that its delivered coldly, briefly and virtually unseen.

The downbeat feeling is the heart of the movie. Newman ( who is particularly good ) and Hanks are reflective, sad and sensitive. It is never stated, but you can't help feeling Hank's gangster character is a decent man led astray in the past. Newman also shows regret at his life as a crime boss and his inability to control the events that unfold. Most scenes take place at night, in shadow or in the pouring rain giving a nice dark texture to events.

The ending is predictable and the final scenes had me gritting my teeth in frustration to stifle the need to shout 'behind you!!'.

Overall this is a good movie that satisfies. If you like Tom Hanks, Gangster movies or serious thrillers I would recommend
Road To Perdition.