Bachelor No. 2 Or The Last Remains Of The Dodo ~ Aimee Mann  (19)
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Track Listings
| 1. Humpty Dumpty |
| 2. High On Sunday 51 |
| 3. Lost In Space |
| 4. This Is How It Goes |
| 5. Guy's Like Me |
| 6. Pavlov's Bell |
| 7. Real Bad News |
| 8. Invisible Ink |
| 9. Today's The Day |
| 10. Moth |
| 11. It's Not |
Product Description
Amazon.co.uk Review
Dividing her time between waging war on the music industry and writing sublime pop songs, Aimee Mann shows on her fourth solo album that she is equally adept at both. "Let's hear it for guys like me", she sings over the lilting rhythms and stylish guitar work of "Guys Like Me". Her case for toppling the corporate structure is airtight; just check her Web site for the latest bulletin. Her music, meanwhile, keeps getting better. The success of the Magnolia soundtrack may have restored her confidence following the record company strife that followed her first two solo releases--Whatever and I'm With Stupid--but the wounds have not healed. "All the perfect drugs and superheroes wouldn't be enough to bring me up to zero", the former 'Til Tuesday singer imparts over the layered, lush tones of the opening "Humpty Dumpty". Meanwhile, on the emotionally distressed "It's Not", she muses over a forlorn 16-piece string section, "I keep waiting for a change but I don't know for what". It could be the prettiest, most polite battle cry ever. --Aidin Vaziri
Description
Fifth solo album for singer-songwriter and former 'Til Tuesday frontwoman, following 2000's 'Bachelor No.2'. An understated production with subtle electronic flourishes showcases Mann's expressive guitar work and eloquent lyrics, this timedealing mostly with themes of alienation and regret. Recorded with pop producer Ryan Freeland (Bon Jovi, Corrs, Christina Aguilera).
Dividing her time between waging war on the music industry and writing sublime pop songs, Aimee Mann shows on her fourth solo album that she is equally adept at both. "Let's hear it for guys like me", she sings over the lilting rhythms and stylish guitar work of "Guys Like Me". Her case for toppling the corporate structure is airtight; just check her Web site for the latest bulletin. Her music, meanwhile, keeps getting better. The success of the Magnolia soundtrack may have restored her confidence following the record company strife that followed her first two solo releases--Whatever and I'm With Stupid--but the wounds have not healed. "All the perfect drugs and superheroes wouldn't be enough to bring me up to zero", the former 'Til Tuesday singer imparts over the layered, lush tones of the opening "Humpty Dumpty". Meanwhile, on the emotionally distressed "It's Not", she muses over a forlorn 16-piece string section, "I keep waiting for a change but I don't know for what". It could be the prettiest, most polite battle cry ever. --Aidin Vaziri
Description
Fifth solo album for singer-songwriter and former 'Til Tuesday frontwoman, following 2000's 'Bachelor No.2'. An understated production with subtle electronic flourishes showcases Mann's expressive guitar work and eloquent lyrics, this timedealing mostly with themes of alienation and regret. Recorded with pop producer Ryan Freeland (Bon Jovi, Corrs, Christina Aguilera).
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