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Tchaikovsky / Shostakovich: Violin Concertos
 
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Tchaikovsky / Shostakovich: Violin Concertos

~ Ilya Gringolts (Artist, Performer), Israel Philharmonic Orchestra (Artist, Orchestra), Itzhak Perlman (Artist, Conductor)
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1. Violin concerto in D, op. 35 - Tchaikovsky
2. Violin concerto in A minor, op. 99 - Shostakovich

On this CD:
  1. Concerto for Violin and Orchestra in D
    Composed by Pyotr Il'yich Tchaikovsky
    Performed by Israel Philharmonic Orchestra
    with Ilya Gringolts
    Conducted by Itzhak Perlman

  2. Concerto for Violin and Orchestra No. 1 in A minor
    Composed by Dmitry Shostakovich
    Performed by Israel Philharmonic Orchestra
    with Ilya Gringolts
    Conducted by Itzhak Perlman


Product Description

Amazon.co.uk Review

This recording of Ilya Gringolts performing concertos by Tchaikovsky and Shostakovich is a frustrating release. It sets out to provide an accommodating and supportive platform for a superb young violinist, but is ultimately so accommodating that it fails him, leaving the listener with a disc of fabulously eloquent and supple solo playing set against an orchestra of disappointing tameness. The problem is Itzhak Perlman who, as a soloist, knows the Tchaikovsky from the inside (his 1970s EMI recording with Ormandy and the Philadelphia is a classic) but fails to drop the soloist's perspective in his reincarnation as a conductor. Add to this the fact that he is Gringolts' teacher, and you get a reading so bent double with subservience to the soloist that there's nothing left to energise or interest the other 70-odd musicians in the studio. The pace is lacklustre, the playing under-powered and not assisted by a boxy sound. The Shostakovich (No. 1) feels more balanced as an undertaking and works better. But it doesn't compensate enough to make a first-choice disc, which is a pity, because Gringolts is a special talent. Barely 20 and a new recruit to the ubiquitous, all-conquering Russo-Jewish fiddle mafia, he plays with more poetry than Vengerov, more maverick individuality than Repin and more engagement than Znaider. He surely has a big career ahead of him--he just needs a conductor (and an orchestra) prepared to treat him like a grown-up. No kid gloves. No holding back. --Michael White

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