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Deadringer
 
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Deadringer
~ RJD2 (Artist)
4.7 out of 5 stars  (12 customer reviews)
Price: £9.48 & eligible for Free UK delivery on orders over £15 with Super Saver Delivery. See details and conditions
Availability: Usually dispatched within 7 to 12 days. Dispatched from and sold by Amazon.co.uk.

28 used & new available from £5.57

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Product details
  • Audio CD (29 Jul 2002)
  • Number of Discs: 1
  • Label: Definitive Jux
  • ASIN: B000068QSF
  • Average Customer Review: 4.7 out of 5 stars  (12 customer reviews)
  • Amazon.co.uk Sales Rank: 16,205 in Music (See Bestsellers in Music)

Track Listings

1. The Horror
2. Salud
3. Smoke & Mirrors
4. Good Times Roll part 2
5. Final Frontier (feat. Blueprint)
6. Ghostwriter
7. Cut Out to FL.
8. F.H.H. (feat. Jakki da Motamouth)
9. A Shot in the Dark
10. The Chicken-Bone Circuit
11. The Proxy
12. Two More Dead
13. Take the Picture off
14. Silver Fox
15. June (feat. Copewrite)
16. Work

Product Description
Amazon.co.uk Review
There's a mellifluous, melodic feel to RJD2's production on Deadringer that enables him to easily straddle the US/European divide between hip-hop and trip hop, even coming close to the intricate and lucid inventiveness of the Avalanches in places.

Ohio's RJD2 first dropped his wholesome brand of bumpin' beats on Bobbito's Fondle 'Em Records (as producer for MegaHertz), before appearing later on labels such as Rawkus and Def Jux. It's the latter label that has decided to support his talents full-time, and judging by this debut solo joint, it's a very good decision.

Keeping his musical references as wide as possible while retaining a distinctly b-boy soul, RDJ2 casually bunches together disparate sounds and styles--funk, hip-hop, soul, jazz, reggae, blues, industrial grunge, acoustic folk, indie rock--into a fibrous and free-wheeling whole. There's straight up hip-hop for the heads on "Final Frontier", "F.H.H." and "June" (where he teams up with MCs Blueprint, Jakki da Motamouth and Copewrite respectively) but Deadringer is mostly about the producer's experiments with cinematic beatscapes, funny funksters and down-tempo nods, all approached with a twinge of oddness and some deliciously flippant humour. --Paul Sullivan


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