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Price: £17.98
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The Salton Sea
 
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The Salton Sea [Soundtrack] [Import]

~ Thomas Newman
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5 new from £8.98 1 used from £17.68
Buy the MP3 album for £7.99 at the Amazon MP3 Downloads store.


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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song TitleArtist Time Price
Listen  1. Perpetual Night PartyThomas Newman 3:02£0.69
Listen  2. Tweaker CrashThomas Newman 1:44£0.69
Listen  3. Undress RevisedThomas Newman 2:11£0.69
Listen  4. First WifeThomas Newman 1:54£0.69
Listen  5. I forgivThomas Newman 1:22£0.69
Listen  6. Glock Semi-AutomaticThomas Newman 1:19£0.69
Listen  7. Gun CemeteryThomas Newman 1:18£0.69
Listen  8. Queen ElizabethThomas Newman0:26£0.69
Listen  9. School TeacherThomas Newman0:55£0.69
Listen10. Palmdale MontyThomas Newman 2:51£0.69
Listen11. Night VersionThomas Newman 2:00£0.69
Listen12. Salton SeaThomas Newman 2:25£0.69
Listen13. One Red HairThomas Newman 5:12£0.69
Listen14. Dead BobbyThomas Newman 1:44£0.69
Listen15. Saeta*Terence Blanchard 2:01£0.69
Listen16. Colombian NecktieThomas Newman 1:23£0.69
Listen17. BadgerThomas Newman 1:07£0.69
Listen18. Undress OriginalThomas Newman 2:08£0.69
Listen19. Hole In The HeadThomas Newman 1:35£0.69
Listen20. Last WifeThomas Newman 2:49£0.69
Listen21. GutshotThomas Newman 2:35£0.69
Listen22. Linoleum / Walk To BlackThomas Newman 4:40£0.69
Listen23. Learn to YodelThomas Newman0:41£0.69


Product Description

Amazon.co.uk Review

This dank-as-style contemporary film noir features most of the genre's familiar ingredients: murder, creepy characters, narrative flashbacks, an identity crisis or two, and a compelling if twisted subculture, in this case the scaly underbelly of the Los Angeles some speed freaks call home. While the genre has generally relied on dark jazz shadings--or, in the case of David Lynch and Angelo Badalamenti, a hotchpotch of hellish synthscapes and nostalgic irony gone sour--the presence of Thomas Newman here guarantees something more expansive than clichés, and the young veteran delivers again. Newman's odd, percussion-reliant tack may occasionally be familiar here, but the score's unusually large ensemble allows him a wide timbral palate. He wastes no time infusing the score with jarring industrial rhythms, indistinct ethnic modalities that seem invented out whole cloth, some of Erin Brockovich's spare, Fender Rhodes-driven acid jazz shadings, and great, eerie dollops of the ominous, electro-acoustic soundscapes that have defined so many of his scores, yet without ever descending into caricature. Newman mixes it all into a hypnotic sonic cocktail that's as nervy as it is unsettling, one that zigs when you're sure it will zag, offering up some strangely reassuring musical comfort in a world of moral indifference and dramatic detachment.--Jerry McCulley

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