Amazon.co.uk Review
Michael Powell and Emeric Pressburger's 1943 film
The Life and Death of Colonel Blimp was intended to bolster the propaganda effort. Colonel Blimp was a cartoon character conceived to parody the hidebound, elder military types whose attitudes towards war were irrelevant when it came to fighting the Nazis, a point made in the first few minutes of the movie when a platoon of young troops cheekily capture walrus-faced General Candy (Roger Livesey) during a training exercise, oblivious to his splutterings that "war starts at midnight!" Thereafter, Powell and Pressburger forge a more complex portrayal of Candy, following his career over 40 years, from the Boer War through World War I. There are strong, touching reminders of
Goodbye, Mr Chips in his relationship with a German officer, played by Anton Walbrook, (a reflection, perhaps of Powell's own alliance with the German Pressburger), while Deborah Kerr recurs in three different roles, reminding Candy of the lifelong love he has missed out on. By the end, Candy's inability to recognise that the Nazis are not playing by his own, proper military rules is reaffirmed but more sympathetically. No one could mistake Powell and Pressburger's patriotic intentions here yet Winston Churchill was sufficiently disconcerted by the film to try to have it banned. It wasn't--and it proved a huge, deserved success. --
David Stubbs
Amazon.co.uk Review
Powell and Pressburger's first Technicolor masterpiece,
The Life and Death of Colonel Blimp (1943) transcends its narrow wartime propaganda remit to portray in warm-hearted detail the life and loves of one extraordinary man. The film's clever narrative structure first presents us with the imposingly rotund General Clive Wynne-Candy of the Home Guard (Roger Livesey in his greatest screen performance), a blustering old buffer with spreading handlebar moustache and stomach to match. Confronted by a youthful regular army Captain he seems the epitome of stuffy, outmoded values. But travelling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy, just returned from earning a Victoria Cross in the Boer War. Through a series of affecting relationships with three women (all played to perfection by Deborah Kerr) and his touching lifelong friendship with a German officer (Anton Wallbrook), we see Candy's life unfold, and come to understand how difficult it is for him to adapt his sense of military honour to modern notions of "total war".
If Livesey's engaging Clive Candy is the film's heart, Anton Wallbrook's Theo is its conscience; his exile speech delivered to an uncomprehending immigration officer is a heartfelt tour de force made all the more poignant by the Austrian actor's own circumstances, as well as those of Hungarian scriptwriter Emeric Pressburger. Powell's technically masterful and innovative direction illuminates every scene, from the surprising camera move in the duel sequence to the hunting montage of stuffed animal heads on a wall. Notoriously, this is the film that Churchill tried to have banned, and indeed its sympathetic portrayal of a German officer was contentious in 1943, though one suspects that Churchill's own blimpishness was a factor too.
On the DVD: The Life and Death of Colonel Blimp looks in excellent condition on this special edition DVD. The mono sound is crisp and the picture largely free of grain, allowing the subtle lighting and muted colours to be seen as intended. The main extra is a 25-minute documentary feature which tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included.--Mark Walker