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There's more nature music in the evocative 1912 Nympholept, which describes an ensnaring by nymphs in a haunted wood. The sense of mystery and pagan magic make it a counterpart to Bax's beguiling Spring Fire, which also should be better-known. In contrast, the Overture to a Picaresque Comedy is by turns playful, touching and riotous, in the style of Strauss's Til Eulenspiegel. It's as roguish as the title suggests and great fun. Both works are far more than makeweights, especially in the RSNO's hands.--Andrew Green
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