Amazon.co.uk Review
Wes Anderson's satirical yet tender tragicomedy
The Royal Tenenbaums is a defiantly offbeat movie, but its sheer originality makes it a winner. As Philip Larkin famously said, "They fuck you up, your mum and dad". Well, it's Dad, the opulently named Royal Tenenbaum himself (Gene Hackman in twinkly mode), who gets all the blame here. The precocious achievements of the Tenenbaum offspring are amusingly documented: teen tycoon Chas (a perpetually snarly Ben Stiller), tennis star Richie (Luke Wilson, alienation personified in his Björn Borg get-up) and Margot--adopted and never allowed to forget it--a prize-winning playwright by ninth grade (Gwyneth Paltrow lurking under a ton of eyeliner and a sulky pout). Then there's Eli Cash (Owen Wilson), the kid from over the road who always wanted to be a Tenenbaum and nowadays makes his living writing trashy but successful Westerns.
After two decades of going their own way, to unfailingly disastrous effect, the Tenenbaums find themselves reunited in their old house, as idiosyncratic and illogical a place as the family itself, with Etheline Tenenbaum (touchingly played by Anjelica Huston) about to marry her accountant, Henry Sherman (Danny Glover). The action loops forward and backward, with the background detail on each character beautifully rounded out by narrator Alec Baldwin. This, and the device of dividing the film into chapters, gives it the feel of a fairy story, and like the best in the genre, it has a satisfying, if not entirely happy, resolution.
On the DVD: The Royal Tenenbaums comes with extra features that really do add to the enjoyment of the film. These range from the whimsical (a gallery of all the fictitious book and magazine covers that involve the Tenenbaum family and a slide show of behind-the-scenes photos by set-photographer James Hamilton) to the enlightening (a 26-minute film about writer/director Wes Anderson, his ideas behind the movie and an insight into his way of working, which is illuminating particularly for the sheer detail of his vision--if he's a control freak, he comes across as a nice control freak). There are also brief interviews with the main players, excerpts from Anderson's annotated script pages and background details on the artwork that appears in the film by Miguel Calderon and Eric Chase Anderson (brother of Wes). Less than two minutes of deleted scenes is hardly exciting, though the offbeat humour of the "Peter Bradley Show" is a distinct plus. --Harriet Smith
Special Features
Widescreen 2.35:1 Anamorphic
Dolby Digital 5.1
Soundtrack languages: English, French, Italian
Subtitles: French, English, Italian, French, Dutch, Norwegian, Danish, Swedish, Finnish
Outtakes
Theatrical trailers
Audio commentary by director Wes Anderson
"With the Filmmaker" portraits by Albert Maysles
Exclusive interviews and behind-the-scenes footage
"The Peter Bradley Show" featuring interviews with additional cast members
"The Art of the Movie" still photographs, murals and paintings, a book and magazine covers
Collectable insert including Eric Anderson's drawings
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