Amazon.co.uk Review
In some ways, singer/songwriter Patti Smith seems an unlikely choice for a full-bore anthology like
Land (1975-2002). After all, she's had only one charting single with "Because the Night". Yet her influence on the fledgling NYC punk scene and as a protofeminist poet renders her something of an American counterculture icon. As such,
Land serves to frame an uncompromising career spanning four decades.
Split over two discs and featuring 31 tracks and almost two-and-a-half hours of music, Land begins with a survey of Smith's studio albums, relying most heavily on 1978's Easter. All the greats are here--"Dancing Barefoot", "People Have the Power", "Gloria", "Rock 'n' Roll Nigger", "Frederick" and, of course, "Because the Night". There's also a newly recorded version of Prince's "When Doves Cry", one of two songs cut specifically for this collection.
The second disc is where fans--who were solicited for track selection input via gigs and the Internet--get the goods. Early demos, among them 1974's coveted "Piss Factory", plus two other pre-Horses recordings, "Redondo Beach" and "Distance Fingers", kick things off. What follows is a batch of previously unreleased live recordings--"Dead City", "Spell", "Boy Cried Wolf"--most captured during a 2001 tour through the US and Europe, and studio outtakes. Smith herself helped remaster the recordings while stacking the accompanying booklet with fans' photos and the like.
Land probably won't spark a Smith renaissance, but loyalists can marvel at an artist who's never turned a fast buck by easing up on the sweat, tears, hunger and integrity that inform every one of these tracks. --Kim Hughes
CD Description
The two-disc set LAND (1975-2002) is post-punk icon Patti Smith's own selection of her finest work from the first quarter-century of her career. The first disc, a best-of collection, is a non-chronological sampling of her key songs ("Dancing Barefoot", "Because the Night", and many more) and adds one new track, a surprisingly effective cover of Prince's "When Doves Cry" that sounds like an outtake from 1978's EASTER. (Confusingly, the track list doesn't include the "Land" medley from 1975's HORSES.) The second disc starts with Smith's incredibly rare 1974 DIY single "Piss Factory", but then runs through previously unheard demos (like a skeletal early version of "Redondo Beach" that sounds more like crazed calliope music than the reggae song it became) and revelatory live tracks. LAND (1975-2002) is a thoughtful, idiosyncratic compilation, but it's more for fans than newcomers, who are still best advised to get a copy of HORSES and move on from there.