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Faust [DVD] [1926]
 
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Faust [DVD] [1926]

DVD ~ Gösta Ekman
4.8 out of 5 stars See all reviews (13 customer reviews)
RRP: £19.99
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Frequently Bought Together

Faust [DVD] [1926] + Vampyr [Masters of Cinema] [DVD] [1932] + Nosferatu (Definitive Fully-restored version with original score) [Masters of Cinema] [1921] [DVD]
Total RRP: £62.97
Price For All Three: £48.05

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Product details

  • Actors: Gösta Ekman, Emil Jannings, Camilla Horn, Frida Richard, William Dieterle
  • Directors: F.W. Murnau
  • Writers: Christopher Marlowe, Gerhart Hauptmann, Hans Kyser, Johann Wolfgang Goethe
  • Producers: Erich Pommer
  • Format: Black & White, PAL, Silent
  • Language German
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Classification: PG
  • Studio: Eureka Entertainment
  • DVD Release Date: 21 Jan 2002
  • Run Time: 115 minutes
  • Average Customer Review: 4.8 out of 5 stars See all reviews (13 customer reviews)
  • ASIN: B00005UBL5
  • Amazon.co.uk Sales Rank: 64,197 in DVD (See Bestsellers in DVD)

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Reviews

Amazon.co.uk Review
Shot in the UFA studios with a big movie star in the lead and all the special effects and production design resources any blockbuster of its time could wish for, FW Murnau's 1926 Faust represents a step up from his better-known Nosferatu. Oddly, Faust is a less familiar film than the vampire quickie and this release affords fans a chance to see what Murnau can do with an equally major fantasy story. Adapted neither from Marlowe's play Dr Faustus nor Goethe's verse drama, the script scrambles various elements of the legend and presents a Faust (Gosta Ekman) driven to summon the Devil by despair as a plague rages through the town, desperate to gain enough learning to help his neighbours. When this deal doesn't quite work out, because he is stoned by townsfolk who notice his sudden fear of the cross, Mephisto (Emil Jannings) offers Faust instead renewed youth and an opportunity to seduce a famously beautiful Italian noblewoman and then to return to his home village and get involved with the pure Gretchen (Camilla Horn). Like most versions of the story, it's episodic and some sections are stronger than others: the great stuff comes in the plague and initial deal sequences, though it picks up again for the tragic climax as Gretchen becomes the central figure and suffers horribly, freezing in the snows and burning at the stake. Jannings' devil, a gruesomely humorous slice of ham, is one of the great silent monster performances, reducing everyone else to a stick figure, and Murnau faces the challenge of topping his Nosferatu imagery by deploying a battalion of effects techniques to depict the many magical journeys, sudden appearances and transformations.

On the DVD: Often seen in ragged, incomplete prints projected at the wrong speed, this is a decently restored version, running a full 115 minutes with a complete orchestral score. The original materials show some of the damage to be expected in a film of its vintage, but the transfer is excellent, displaying the imaginative art direction and camerawork to superb advantage. Aside from a nicely eerie menu, the sole extra is a full-length commentary originating in Australia: written by historian Peter Spooner but read by narrator Russell Cawthorne (who mispronounces the odd name). This provides an interesting wealth of background detail, such as Murnau's attempt to cast Hollywood's Lillian Gish as Gretchen, and delivers a balanced assessment of the film itself. --Kim Newman

DVD Description
DVD Special Features:

Commentary track written by film historian Peter Spooner
Black and White Silent with Orchestral Soundtrack
Music composed and conducted by Timothy Brock and performed by the Olympia Chamber Orchestra

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Customer Reviews

13 Reviews
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Average Customer Review
4.8 out of 5 stars (13 customer reviews)
 
 
 
 
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27 of 28 people found the following review helpful:
5.0 out of 5 stars Two FAUSTS For The Price Of One High Quality DVD., 30 Sep 2006
By Chip Kaufmann (Asheville, N.C. United States) - See all my reviews
This review is from: Faust - Masters of Cinema series [DVD] (DVD)
For many years F.W. Murnau's FAUST was known to me only through a few stills and a poster. About 15 years ago I came across a public domain video copy which had poor picture quality and Vivaldi's FOUR SEASONS as its soundtrack. Even with these handicaps I could tell that it was something very special and I longed for the day when I might see a better print of the film. A few years ago Kino International released a high quality DVD of FAUST with a newly commissioned score and I was ecstatic as I could now see the film close to the way it must have looked in 1926. Now Eureka has come out with this double DVD set which allows us for the first time to see the film the way Murnau intended. The Kino edition was based on the export version which differs in a number of ways from the original domestic version made available here. The biggest difference is in the way a number of scenes are treated. They are more expanded in the original and have a sharper picture quality than the export version. The ending of Faust and Gretchen ascending to Heaven is missing which seems rather strange as that is key to the film's theme of redemption through forgiveness. Thanks to this set you can view both versions and see the differences for yourself. The performances especially by Emil Jannings as Mephistopheles and Camilla Horn as Gretchen are remarkable and the various special effects used are outstanding for the time and still have the power to astonish. As I said in an earlier review most silent film buffs think PANDORA'S BOX with Louise Brooks to be the apex of German silent cinema and maybe it is but I cast my vote for FAUST. Murnau was a true cinematic poet, a German Cocteau if you will, and all of his considerable skill as a cinematic storyteller went into the making of this film. Because of FAUST Murnau was brought to America where his next film would be SUNRISE. I have one minor quibble with this otherwise outstanding offering from Eureka. The new harp score for the domestic version lacks the power of Timothy Brock's orchestral score for the export version and although you have the option of using the Brock with the domestic version, it doesn't always match up because of the differences between the two films. Nevertheless if you love German silent cinema in general, Murnau's films in particular or romantic fantasy overall then this edition of FAUST is a must.
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16 of 18 people found the following review helpful:
5.0 out of 5 stars Murnau bring Goethe's classic to life., 19 Mar 2002
This review is from: Faust [VHS] [1926] (VHS Tape)
Most people know the director F. W. Murnau for the silent vampire film Nosferatu but few explore his other works. This is a great shame because in many ways Faust is at least the equal of the excellent Nosferatu but has been overshadowed into relative obscurity. Fast flowing and dramatic with excellent acting and superb directing this is definitely one of the greatest of all silent horrors.
The story follows that of Goethe's classic two part tragedy - an alchemist turns to the daemon Mephisto(pheles)for the power to help people. The daemon lures Faust into sin with the promise of eternal youth but true love wins out in the end and Faust ascends to heaven.
Murnau uses his skill as a director to ensure that the audience is enthralled by the storyline and that the characters are multifaceted and complex. He does this without confusing the viewer and with great subtlety, something has which earnt him much respect over time.
The special effects on this film must have been truly groundbreaking for its day. The way that Faust flies over the world on Mephisto's cloak is especially well carried off. In another great scene the giant Mephisto draws his evil wings around the town as if to block out the light of heaven.
All in all I would say that this is one of the best films I have ever seen and I feel that it only grows better with repeated watchings. The only real problem with the film is that it is exceedingly moral and a could be seen as a bit "preachy", this may put off non-christian viewers. However, to those who have read the Faust books it is clear that this is because this is essential to the understanding of the god-fearing minds of the characters.
I would reccomend this Faust to anyone who is interested in the Silent Era or horror films in general, and if you liked the film I would also reccomend the books.
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6 of 7 people found the following review helpful:
4.0 out of 5 stars Visually stunning but flawed, 6 Aug 2003
By Mr. O. Buxton "Olly Buxton" (Highgate, UK) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
Having watched Nosferatu recently, I've developed a bit of a Murnau "thing", and Faust has done nothing to dampen this. In some ways it's a similar film - figuratively, Mephisto is not unlike Dracula, and the use of the plague metaphor for societal decay is used in both films. Over 115 minutes Faust is neither even nor coherent enough to be in the same league as Nosferatu, though. The individual set pieces, however, thoroughly outdo anything in Murnau's Stoker adaptation.

The special effects are rudimentary, but boy do they pack some bang for their buck. The camerawork and heavily shadowed lighting lends a sombre and dreamy air to proceedings, and there are certain images, particularly at the beginning of the picture, which are astounding: Murnau's representation of the plague and Faust's invocation of the Devil (it reminded me of the strikingly similar Robert Johnson legend) are especially memorable scenes.

For all that, the middle of the film loses momentum badly. This is mostly not Murnau's fault: the Faust legend doesn't, when you analyse it, make for awfully good cinema. The dramatic impetus is done at the end of the first act. Once Faust has made his pact, it's game over; the rest of the story is just the slow revelation of the enormity of what Faust has done.

Murnau has a go at modifying this to make for a better screenplay, but it doesn't work. The Faust/Gretchen love interest isn't enough to hold up the last hour of the film, and bizarrely (given the decidedly unsettling opening scenes) Emil Jannings plays Mephisto not for dread but for laughs. I suppose that's the only way the Faust story has any credibility - we can believe that a beguiling trickster might pull a fast one on the fundamentally decent Faust, but not a horrible Satanic Majesty. But I don't think that is an excuse to turn the Devil into Oliver Hardy.

In his attempt to pull a happy ending out of the Hat (Goethe and Marlow don't have a happy ending, Faust scholars will note), Murnau eschews his slapstick for good old fashioned incoherence: Mephisto and Faust take leave of the screen altogether and Gretchen goes postal, things get very maudlin - to what point, your guess is as good as mine - and, rather abruptly (given how the last 30 minutes dragged) it's all over.

Just as there is for the new edition of Nosferatu, there is a commentary track prepared by an Australian actor with a comedy baritone voice. It isn't quite so insightful, however.

Well worth a watch, but you are left wondering what might have been.

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Most Recent Customer Reviews

5.0 out of 5 stars Magnificent Film
This is a wonderful domestic European cut of Faust presented as Murnau wished it to be seen. The Kino export version is also included and the extra material makes some... Read more
Published 3 months ago by Richard Johnston

5.0 out of 5 stars Murnau Masterpiece
This is Murnau at his best, using light and shadow to excellent effect in this movie. This has been described as a moral tale and a horror movie among others but this is really... Read more
Published 3 months ago by I. M. Knight

5.0 out of 5 stars The domestic version, is by far the best horror film of the 1920s
This is a 1926 classic of silent cinema. This new life that has been given to the film comes from the fact that the domestic (German) version has been restored and we can compare... Read more
Published 23 months ago by Jacques COULARDEAU

5.0 out of 5 stars Artistic silent masterpiece
This astounding film by F W Murnau made in 1926 is at the very pinnacle of silent film making, probably the pinnacle of artistic presentation plus an almost unique movement of... Read more
Published on 20 Jun 2007 by pointone

5.0 out of 5 stars One of the most impressive films ever made
Faust is just an incredible accomplishment in the art of silent cinema, one of the most ambitious and masterfully directed films of any era. Read more
Published on 30 Jan 2007 by Daniel Jolley

3.0 out of 5 stars A VISUAL STUNNING CLASSIC
Having seen Murnau's Nosferatu and having enjoyed it immensely I had to check out some of his other films. Faust quickly caught my attention. Read more
Published on 10 April 2006 by stuart

5.0 out of 5 stars Love breaks all bonds
The story is Johann Wolfgang Von Goethe’s; the film is unmistakably F.W. Murnau.

The Archangel (Werner Fuetterer) and the evil one are in a struggle for the world. Read more

Published on 14 Mar 2006 by bernie

5.0 out of 5 stars A cinematic masterpiece
There is an earlier version of this film with a piano soundtrack which only gives a taster for the fully restored masterpiece on offer here. Read more
Published on 17 May 2004 by Awhite

5.0 out of 5 stars A cinematic masterpiece
There is an earlier version of this film with a piano soundtrack which only gives a taster for the fully restored masterpiece on offer here. Read more
Published on 17 May 2004 by Awhite

5.0 out of 5 stars Jaw-dropping
Your jaw will be resting on your chest for the duration of this spectacular movie. Peter Jackson and the 'Lord of the Ring' crew honest to God invented nothing of real cinematic... Read more
Published on 23 Jan 2003 by Michael Bo

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