Amazon.co.uk Review
The Blueprint may be Jay Z's most captivating record since
Reasonable Doubt, but its predictably detached mood reflects the master hustler's superior ability to trick out lacklustre subject matter with lyrical complexity and brief flashes of manufactured introspection.
The Blueprint, a solid mix of pre-programmed radio hits ("Izzo", "Girls, Girls, Girls") and better-than-average mid-tempo compositions ("Never Change", "Song Cry"), confirms the Brooklyn rapper's legendary status. Blistering flames of the Queensbridge/Jay Z feud fan high with "Takeover", a direct attack on
Nas, set over The Doors' rock & roll burner, "5 To 1". "Renegade" provides the album's only full-on guest appearance. Jay and
Eminem take this opportunity to address haters (within the industry and in the general population) who don't understand the mind of an artist.
Jigga spells it out on the title track: "
Reasonable Doubt-classic, shoulda went triple".
The Blueprint might not be quite on par with
Reasonable Doubt but it
is reasonably good. --
Rebecca Levine
CD Description
It's official. With his fifth album, aptly titled THE BLUEPRINT, Jay-Z has crowned himself the king of rap music. Laying a foundation for other MC's to follow, Jay Hova presents alyrical masterpiece. And to make matters worse (for the competition, that is), he does so over a selection of the tightest beats (Jus Blaze, Timbaland) to come by hip-hop since fellow Brooklyn-ite Notorious B.I.G. changed the game. Jay-Z sets it off with a clear and concise statement of his purpose, "The Ruler's Back". From then on, each track dares rapperswho tried to test his skills to answer back this time. There's also the cleverly worded (sort of a) love song "Girls, Girls, Girls", where Jay calls out every type of woman in thebook. He limits the guest appearances to just one when he collaborates with Eminem for "Renegade". As always, classic material proves why Jay-Z retains his iconic status in the hip-hop world.