Amazon.co.uk Review
With
Labor Days, his first release on New York independent hip-hop label Def Jux, run by Company Flow's El-P, Aesop Rock exceeds the promise of his early limited edition albums (
Music For Earthworms,
Appleseed and
Float), confirming himself as a modern day
Gil Scott Heron. A hyper realist and as cynical as they come, but engaging with it, Aesop's gritty tales of street-life are a million blocks away from the cash-guns-girls glamour of his major label counter-parts. His rhymes dissect the mundane everyday slog, depicting a society long past caring, and too caught up in the daily grind to notice. Pouring his deepest thoughts over mournful backing tracks of down-tempo ghetto funk, cinematic grooves, sleazy jazz laments or eastern influenced orchestrals--and in the case of "Battery" all at once--
Labor Days is a powerful concoction. Granted it's gloomy, but his dexterous flows and the social commentary delivered in his caustic couplets--see Coma's scathing attack on society's lethargy "If the revolution ain't gonna be televised, f*ck I'll probably miss it"--are imbued with a level of intellect that's refreshing to say the least. --
Dan Gennoe
CD Description
Every once in a while an MC comes along who has the abilityto reaffirm listeners' faith in hip-hop as a medium for intelligent, poetic, personal expression. Aesop Rock is one such MC, and LABOR DAYS is his defining statement. A flagship artist of the underground label Def Jux, Aesop Rock brings a style that is blisteringly fast, impossibly dense, and overflowing with metaphors, images, puns, references, and narratives. Rock's voice and attack--a rapid-fire, somewhat nasal monotone--borrows from Kool Keith and Eminem, yet his highly literate rhymes are uniquely his own.
Aesop Rock's music is the antithesis of flashy, R&B-based commercial hip-hop, and his politically conscious, culturally aware lyrics are galaxies removed from the thug/gangster themes of hardcore rap. Intriguing samples, featuring instruments like flute and sitar, flesh out the beats, but this is lyric-centred hip-hop, and Rock gives us plenty to absorb. Absorbing character-based narratives ("No Regrets") and slicing, alliterative tunes ("Daylight", with its infectious, memorable chorus) are testaments to the rapper's sophisticated lyrical superiority.