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Product Description
Amazon.co.uk Review
Even as they began to fancy themselves as codpiece-wearing Elizabethan minstrels in the gallery, Jethro Tull was a blues-based hard-rock group, and an explosive one, at that. On Stand Up, they enjoy the best of both worlds, with lighter fare such as "Jeffrey Goes to Leicester Square" and a jazzy instrumental take on J. S. Bach's "Bouree" mixing nicely with the blistering rock of "A New Day Yesterday", "Nothing Is Easy", and "For a Thousand Mothers". On Stand Up, the group's second album, you can hear the band, and the grand scheme behind it, begin to solidify. --Daniel Durchholz
CD Description
People often forget that Tull started out as a forward-looking blues-rock unit not dissimilar to contemporaries like Cream and Led Zeppelin. While the blues influence is heard most clearly on the debut THIS WAS, its successor STAND UP still shows some of those traces. Tracks like "A New Day Yesterday" and "Nothing Is Easy" are the prime examples of this hard-hitting, bluesy riff-rock approach. Elsewhere, though, theboys begin to show some of the folk, jazz, and classical influences that would soon make them a leading exponent of progressive rock.
"Bouree" is a flute-led instrumental trackthat combines Ian Anderson's improvisations with melodic bass work that's alternately jazzy and classical-influenced. The melancholy folk-rock feel of "Look Into the Sun" makes for an emotionally affecting, introspective ballad. The light-hearted "Fat Man" incorporates folk influences with an Eastern-sounding balalaika melody. STAND UP is a portrait of a band in transition, on its way to bigger things, but it's still eminently enjoyable.
Even as they began to fancy themselves as codpiece-wearing Elizabethan minstrels in the gallery, Jethro Tull was a blues-based hard-rock group, and an explosive one, at that. On Stand Up, they enjoy the best of both worlds, with lighter fare such as "Jeffrey Goes to Leicester Square" and a jazzy instrumental take on J. S. Bach's "Bouree" mixing nicely with the blistering rock of "A New Day Yesterday", "Nothing Is Easy", and "For a Thousand Mothers". On Stand Up, the group's second album, you can hear the band, and the grand scheme behind it, begin to solidify. --Daniel Durchholz
CD Description
People often forget that Tull started out as a forward-looking blues-rock unit not dissimilar to contemporaries like Cream and Led Zeppelin. While the blues influence is heard most clearly on the debut THIS WAS, its successor STAND UP still shows some of those traces. Tracks like "A New Day Yesterday" and "Nothing Is Easy" are the prime examples of this hard-hitting, bluesy riff-rock approach. Elsewhere, though, theboys begin to show some of the folk, jazz, and classical influences that would soon make them a leading exponent of progressive rock.
"Bouree" is a flute-led instrumental trackthat combines Ian Anderson's improvisations with melodic bass work that's alternately jazzy and classical-influenced. The melancholy folk-rock feel of "Look Into the Sun" makes for an emotionally affecting, introspective ballad. The light-hearted "Fat Man" incorporates folk influences with an Eastern-sounding balalaika melody. STAND UP is a portrait of a band in transition, on its way to bigger things, but it's still eminently enjoyable.
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