Most Helpful Customer Reviews
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1 of 5 people found the following review helpful:
3.0 out of 5 stars
Its not her best recording, 15 Nov 2001
By A Customer
It starts out nice, but then blows up. What i liked about Solex up to now, was her way of keeping order in her chaos, the chaos of melodies and rythmes, especially her talent of melting live and sampled rythmes together, was her force. She was undefined yet concrete. This may sound odd to others, but its not. It becomes odd on "Low Kick and Hard Bop". The music seems like she forced it to be odd, and on the way she lost the good melodi and substance. What i used to like is now overdone. The music is a mess, and its noisy. Solex just makes me feel confused.
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4.0 out of 5 stars
All licketysplit, 4 April 2007
Solex is the nom de musique of the Amsterdam secondhand record shop owner Elisabeth Esselink, who in the nineties had been a member of indie pop act Sonetic Vet. At De C&D, her record store, the discount bins proved a valuable archaeological source of copyright free found sounds that could be plundered, deconstructed and rebuilt into Spectorised sound assaults, using her vintage eight-track sampler; impressive collages that form the basis of her delightfully surreal and exuberant stream-of-consciousness lyrics, multi-track vocals and left-field tunes. The results have little in common with other sample artists but have a quirkiness and humour that perhaps are closer to British plunderphonic artists such as People Like Us or Listen With Sarah.
By the time of this third album (the others being Solex Vs. The Hitmeister in 1998 and Pick Up in 1999, both recommended), Solex had honed her art and toured extensively with live musicians who had helped translate her found sound concoctions into the context of an onstage performance, so that this becomes a notable progression from the earlier albums, and features Geert De Groot on guitar and Robert Lagendijk on drums, whilst retaining the sense of fun and spontaneity that typifies her musical approach.
On her website Solex describes her found sounds as "Old vinyl, crappy un-sellable CD's (again), television (Wheel Of Fortune!), the `better looking' talk show hosts (they seem to sound better as well), noisy deaf people, films, bootlegs (again), radio, street-noises and animals. The noisy deaf people were my favourites. They do know what they're talking about, but don't have a clue what they sound like (opposite to most musicians)."
In lesser hands, it couldn't work, but Solex has a real gift for creating works of art from these unlikely audio fossils, and is never less than engaging, providing here over 40 minutes of fresh musical weirdness.
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