Amazon.co.uk Review
Anyone who owned the vinyl copy of
Live at Leeds will barely recognise its digitised namesake. While the 1970 record offered a mere six selections, the 1995 CD reissue is fleshed out with a full 14 tracks. Revelling in the augmented
Leeds prompts one to wonder why in the name of "Heaven and Hell" they didn't put out a double record in the first place. No matter. This
Live at Leeds is actually superior to its revered predecessor. The Who are at their
Maximum R&B peak here, bringing an almost proto-metal aggression to supercharged covers of "Young Man Blues", "Summertime Blues", and "Shakin' All Over" (all from the original record) and treating fans to originals familiar ("I Can't Explain", "My Generation", "Magic Bus") and less known ("Heaven and Hell", "Tattoo", "A Quick One"). An improved-upon classic.
--Steven Stolder
Amazon.co.uk Review
There are only a handful of genuinely seminal albums, but The Who's
Live At Leeds is undoubtedly one. Recorded in the comparatively intimate environs of the University Refectory, Leeds, in February 1970, the two-hour-plus show was heavily truncated and clocked in at a mere 38 minutes upon it's release as an album later the same year. Despite this, the album's six tracks showcased the thermonuclear dynamics that established The Who as the best live rock band in the world. This long overdue deluxe edition features the entire 33 song set, including the bulk of rock opera
Tommy, plus full-length versions of previously lopped cuts. Throughout the proceedings, The Who's blitzkrieg barrage is propelled by the octopus limbed Keith Moon-the-loon and John Entwistle's elasticated, DC10-booming bass, topped with Pete Townsend's tumultuous windmilled power chords and Roger Daltrey's howl. Such is the potency of their attack that they even invest those hoary standards "Summertime Blues" and "Shakin' All Over" with a thrilling savagery, while their rampant charge through
Tommy reminds you that the original 1969 double-album--unlike Ken Russell's ridiculously excessive film version--was an audacious attempt to tinker with rock's building blocks.
--Chris King
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