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22 of 23 people found the following review helpful:
5.0 out of 5 stars
Great Epic Film, Fascinating Historical Realism, 3 Jun 2006
"Your Indochine is no more" replied Camille ... the released prisoner, Communist fugitive, and adopted daughter of Eliane, her mother and wealthy rubber plantation owner. Eliane had gone to the prison to rescue her daughter and try to retrieve their old lifestyle but it had died along with the political changes and rebellions against the French colonialists. Camille had been a spoiled rich young girl. She escaped a traditional Indochinese betrothal and marriage to unwittingly participate in an underground Communist movement, while trying to locate Jean- Baptiste, the French Naval officer with whom she fell in love. The film is haunting and beautiful as it depicts a historical era from the 1930s to mid 1955. The upper class French colonial lifestyle is shown in all its opulence. French ex-patriots gather for social events and celebrations while the Indochinese are second-class citizens doing the back-breaking labor in the fields. The educated Indochinese young people go to Paris for education at Universities. There they develop a taste for freedom and rebelllion, as they understand the exploitation of their country ...
Catherine Deneuve portrays Eliane Devries, the unmarried adult daughter of a wealthy rubber plantation owner ... she has an affair with Jean-Baptiste Le Guen, a Naval officer she meets at an auction. After she discovers he also slept with Camille, her adopted daughter, she uses her political influence to exile him as far as possible, to break off the love affair and influence he has on her daughter. He is sent to Dragon Island ... an exotic location in the South Seas which is also a work colony for the French.
The film appeals on many levels: the sensually exotic location of Viet Nam (former Indochina), the exploration of deep churning divided emotions experienced by Eliane who loves her adopted daughter Camille, despite Camille's innocent awakening to a physical affair and all the complications that arise because it is with the same man her mother desires ... The film feels so real because it occurs during a politically unstable time, Communist grass roots insurgent movements threaten the old establishment, wreaking havoc at unexpected moments. Camille becomes an ordinairy peasant after she elopes from her former life to find her lover, Jean-Baptiste. She walks across the country on foot with a family who are looking to find a better life, their destination also is Dragon Island. Camille experiences the exploitation of her people by the French first hand. In one highly charged scene she murders a French Officer in an emotional rage over an act perpetrated by the French on the family with whom she travelled ... Her innocence is lost forever. Jean-Baptiste is a witness to the act and protects her. They become fugitives ... their life on the run is the stuff great movies are made of ... although eventually the pair are caught. This film has enormous appeal for its complexity. The manner in which the characters deal with the impact of personal and political events on their lives is superbly filmed. Eliane wants to save her daughter Camille from punishment ... she appraoches the local French police administrator to help her find Camille. In the end, the best Eliane can do is to raise the son of Camille and Jean-Baptiste ... When he is old enough to understand, she tells him the history of his birth and the stories and legends about his parents. This is an outstanding film most highly recommended. Erika Borsos [pepper flower]
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18 of 19 people found the following review helpful:
5.0 out of 5 stars
Engrossing Epic, 23 Nov 2001
By A Customer
This movie moved me in so many ways. There's the beautiful landscape of Vietnam. So exquisite in the cinematographer's hands that it makes you forget all those tragic images of American Vietnam war movies. Seeing them makes you understand why so many foreigners invaded this beautiful land. There's the blatant and honest look at the oppresion of the Indochinese under the hands of the French. It's in the background but nothing is glossed over. You will be apalled at the sight of these people being whipped and sold in the name of France. There's the factual depiction of the nationalist movement. The blood, the filth, the brutality...it's there for the audience to see. But most importantly, there's the excellent performance of the protagonists. All the actors are amazing and convincing in their roles. Deneuve is all elegance and restraint, perfect as Eliane. Vincent Perez is in top-form as Jean-Baptiste. His conversion from rigid military man to someone who finally opens up to what is before him, is utterly convincing. Linh Dam Pham is all allure, innocence and determination. She is a marvelous actress who can convey so many emotions with just a mere look. The chemistry between the actors are also affecting. There's genuine maternal and filial affection between Eliane (Deneuve) and her adopted Indochinese daughter, Camille (Pham). Lust, decadence and pride dominate Eliane's and Jean-Baptiste illicit affair. Love is in its purest form in the relationship of Camille and Jean-Baptiste. The scenes between Perez and Pham are both tender and sensual, evoking some of the most romantic and unforgettalbe scenes in movie history. All the protagonists try to avoid the inevitable...the collapse of French control in Indochina...but when fate catches up with them, the events that take place are emotionally wrenching. The other reviews have pretty much given a thorough synopsis of this movie. But what they forget to mention is that this is a movie driven by two strong female characters. Deneuve and Pham are both stunningly beautiful. Both project an inner strength that convinces the audience that they are not victims, despite all the tragedies they have gone through. Pham's portrayal becomes all the more significant since this is one of those rare movies which shows an Asian woman who is independent and someone who forges her own destiny. I don't know what else I can say about this movie except that after watching it, it will never leave you. There's beauty, pain, passion and love. What other movie achieves all that.
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24 of 26 people found the following review helpful:
5.0 out of 5 stars
Beauty and Sorrow, 11 Jan 2003
By A Customer
This deeply felt and emotionally rich portrait of a country about to change forever is one of the most beautiful films ever made. It is elegant and opulent in it's visual presentation and subtle in it's human tale of heartbreak. This film has the majesty of morning sunlight on water we dare not shield our eyes from for fear we will miss one moment of its glory.Director Reigis Wargnier has created a masterpiece of epic beauty, showing us the country of Vietnam when it existed as the French colony Indochine. He shows how and why the communist uprising was so popular and the way of life it threatened. It does not make judgements but shows the human drama and the heartbreak caused by a way of life that existed and the one that was coming to change it. Wargnier accomplishes all this in a slow and visually stunning portrait of one family in Indochine centering around the magnificent performance of Catherine Deneuve as French rubber plantation owner Eliane Deveries and the equally terrific Linh Dan Phan as her adopted Indochine daughter Camille. The contrasts of Eliane's cool elegance and Camille's young and sensual beauty is like a mirror for the country itself as Wargner shows the difference between the French and those that serve them. Eliane runs her rubber plantation with the help of her 'coolies' and it appears to be her entire life except for her daughter Camille. Eliane's cool outward elegance only masks the repressed emotions she hides from others. Her affairs have been casual and she believes indifference is the secret to surviving love. But that indifference changes dramatically as she finally falls hard for young French Naval Officer Vincent Perez (Jean-Baptiste Le Guen). She throws herself at him as he draws away and discovers she is not enough for Vincent. There is much unrest at the class distinctions of Indochine. Eliane's Indochine is one of elegance and self-indulgence. It is a world of Fitzgerald and Gatsby. The world of the Indochene people is more severe. This film takes it's time showing us all that is beautiful about the country and slowly begins to show the darkness underneath that beauty when Camille falls in love with Vincent also. Eliane is stunned beyond words but not actions as she uses her clout to have him transferred to the farthest outpost so Camille can go through with an arranged marriage to Tanh (Eric Nguyen). But Eliane has underestimated her daughter's love for Vincent and she runs away to find him. Vincent has learned about the slave trade which provides Eliane and others like her with their workers in this remote French outpost and sees firsthand it's brutality. When Camille finds him it is during the picking of these workers and a tragedy forces both to flee to a place hidden and supposedly cursed where their love will bloom and a legend will start. There are some tender and moving moments and some true heartbreak involving a baby. As the communist revolution grows stronger and Camille is imprisoned, Vincent will meet Eliane once more. It is only when Camille is imprisoned that she is even sure she is alive. Her long time aquaintance Guy (Jean Yanne) has been searching for years as the legend of this young beauty has grown so that everyone in the country knows the story. Once released she will be the one to help change the country forever, but not before a heartbreaking meeting with her mother and a sacrifice of love. This film may indeed be slow but it is emotionally rich and the visual beauty of the country itself is magnificently captured. Deneuve's cool elegance is perfect for the part and her Oscar nomination was well deserved. Linh Dan Phan is wonderful as Camille as she goes from the innocence of dancing with her mother to her country's Joan of Arc. There are no judgements made here. This is a human film and not a political one. This film is what a Renoir painting would be if it could leave the canvas and find our hearts. Watch this film and stay with it. It is richly rewarding and certainly one of the finest films ever made. It's quiet beauty and sorrow you will not soon forget. You must see, and own, this magnificent film.
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