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Jackie Brown - 2 Disc Collector's Edition [1998]
 
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Jackie Brown - 2 Disc Collector's Edition [1998]
DVD ~ Pam Grier
4.2 out of 5 stars  (45 customer reviews)
RRP: £19.99
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Product details
  • Actors: Pam Grier, Chris Tucker, Lisa Gay Hamilton, Aimee Graham, Tangie Ambrose
  • Directors: Quentin Tarantino
  • Format: Box set, Collector's Edition, PAL, Widescreen
  • Language English
  • Region: Region 2 ( DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 2
  • Classification: 15
  • Studio: Walt Disney Studios Home Entertainm
  • DVD Release Date: 16 Sep 2002
  • Run Time: 148 minutes
  • Average Customer Review: 4.2 out of 5 stars  (45 customer reviews)
  • DVD Features:
    • Main Language: English
    • Available Audio Tracks: DTS 5.1
    • Quentin Tarantino Introduction
    • Soundtrack Chapter Selection
    • Original Documentary How It Went Down
    • A Look Back At Jackie Brown Interview With Quentin Taratino
    • Chicks And Guns Video
    • Deleted Scenes
    • Alternate Scenes
    • Siskel And Ebert At The Movies Jackie Brown Review
    • Jackie Brown On MTV
    • Theatrical Trailers
    • TV Spots
    • Still Galleries
    • Reviews
    • Articles
    • Filmographies
    • Robert Forster Trailers
    • Pam Grier Radio Spots
    • Pam Grier Trailers
  • ASIN: B00005LDBG
  • Amazon.co.uk Sales Rank: 3,528 in DVD (See Bestsellers in DVD)
    (Studios: Improve Your Sales)

Reviews
Amazon.co.uk Review
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town.

Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas

Amazon.co.uk Review
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The film is more "rum" than "punch", though, with a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Federal Agent Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them.

Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows him to heap on black culture and language, something he has a gift and passion for, though the film is not a salute to Grier's blaxploitation films beyond the soundtrack. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas

See all Reviews


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