Amazon.co.uk Review
After several years in America, guitarist Martin Simpson returns in
The Bramble Briar to his roots in English music. Given his stature as an instrumentalist (his influence is easily equal to that of John Renbourne, Bert Jansch or Martin Carthy), it's no surprise that the album's standout moments stem from Simpson's fluid playing, his acoustic guitar chiming like a beautifully pure bell. Drawing its style from both the English tradition and the blues,
The Bramble Briar is an instrumental
tour de force, overshadowing Simpson's own pleasant voice somewhat. The cello-assisted "Leaves of Live", a dramatic religious ballad, showcases his vocals to the best effect. Martin Carthy appears as one of a handful of guests, but this album very much belongs to Simpson (and his guitar).
--Phil Udell
fRoots, July 2001
Martin Simpson has been hither and thither--geographically and musically--over the last decade or so, establishing a proud body of work along the way. But roll out the red carpet, crack open the bubbly, the former boy wonder is back. Back in Britain (temporarily at least), back on Topic, back playing English traditional music and back on form. This is a formidable album. His guitar playing is exemplary, his singing bold and fiery, the material richly powerful, performed with rare conviction. He's a stylist, both as accompanist and singer--and although it's a term that has been somewhat maligned in recent times where a more natural style of storytelling is favoured, Simpson's idiosyncratic exaggeration actually adds tension to the narrative without any sense of manufactured force. Like all great interpreters, Simpson approaches the songs with a respect that borders on awe, nurturing each phrase as a precious commodity to advance the story to the next sphere. The ballad form has certainly undergone an encouraging revival in the last couple of years and performances which get under the skin of the songs with such sustained intensity can do nothing but increase the drama. Great songs like "Dives And Lazarus", "Polly On The Shore", "Rounding The Horn", "Betsy The Serving Maid" and "The Bramble Briar" are given renewed verve, while there's also a superb version of Cyril Tawney's "Sammy's Bar". Simpson's own beautifully crisp guitar nurses the drama with deft enterprise, while Chris Parkinson, Martin Carthy and Barry Phillips provide additional texture. He's a supremely talented and versatile man, Martin Simpson, but this is what he does best.
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