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9 of 10 people found the following review helpful:
3.0 out of 5 stars
Great potential, run-of-the-mill outcome, 14 Nov 2005
The film opens with a house silhouetted against the lightning of a thunderstorm, its attic windows gleaming like malign eyes. We hear shots, see flashes, perceive that murder and mayhem have taken place within. Four children and their parents, we learn, have been ruthlessly executed … inexplicably.A year later and Margot Kidder and James Spader fall in love with this isolated, lakeside property. It's a very American house - colonial stylised, white wooden boards, hipped roof, three stories, and those windows looking out morosely on the world. The couple know the house's provenance, but are unconcerned - "Houses don't have memories". Enter Rod Steiger, come to bless this house - we get the sounds of maliciously laughing children, see flies beating themselves against the window pane. The house is telling him to get out. Even the phone refuses to accept his incoming calls. This is exorcism in reverse - the self-possessed house drives out and drives off the priest. Steiger is left doubting his sanity … and denying the significance of his actions. The family will soon begin to elaborate their own reactions to the house's claustrophobic atmosphere - he begins to tense up, to become over-familiar with an axe, to develop that thousand psychoses stare, she begins to feel she is being watched, their daughter develops an imaginary friend. This is a film which strives hard to create atmosphere without ever really achieving any. The imagery of the flies is almost excellent, but this contrasts with the numbing effect of the insipid, annoying "spooky" music which is injected from time to time. Steiger has some good moments. Margot Kidder is outstanding as a woman whose growing doubts become concrete certainties. But the direction seems a touch flaccid. We become trapped in the house when the better story is in the problems experienced by the Church - Steiger is a priest who is also a psychoanalyst, his young assistant has recently returned from Viet Nam where he has seen horror a plenty. This is a film which could have played with scepticism, doubt, rationalism, and religion, and instead it becomes dumbed down into questions of real estate and why the house has harboured so much evil. Bad horror can be dreadful. Today's good horror is not necessarily all that good ten years later - horror seems to date faster than most genres. 'The Amityville Horror' was based on a supposedly 'true' story, and acquired a certain amount of gratuitous notoriety because of that. But the hoax is old news, and what was once a competent if cheesy film is now of more interest to the historian of the genre than to the fan of horror. An interesting movie, with some good moments and some worthy efforts by Kidder and Steiger - go for the Special Edition version because the extras are well worth it and turn a three star rating into a four.
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